A Quote by Lara Stone

With this job, always traveling on the plane and everything, I thought it would be really difficult to quit drinking on my own because you're always in situations where it's acceptable to have drinks. So I decided right after a show that I was going to go into treatment. I Googled a bunch of places, and I found this place that I went to in Cape Town, South Africa, called Stepping Stones. I stayed there for a month. It was really difficult-lots of talking and crying.
For me it's really tough because you have to go to that place where you really, really don't want to go to or revisit. After the first movie, when I was crying at the altar, whenever I would think about it, I would get chills for months after the first "Best Man" because I had to go to that place. And then, here we are with this one, and we are going to that place again. It's just extremely emotional to just have to keep revisiting it, but it can also be therapeutic.
The problem with being a journalist is you go places and you're working. You don't get to appreciate everything. But I got enough of a sampler of South Africa; I thought, 'I want to come here when I don't have to interview people for a living so that I can really enjoy it.' Because I think it was just a magnificent place.
I started a campaign in South Africa called Unbreakable where I empower women all over my country with skills and knowledge how to handle difficult situations, and I really hope to use the Miss Universe platform to elevate that cause.
I cannot imagine being happy anywhere else in the world but in Cape Town - South Africa in general, but Cape Town in particular.
I love going to Africa and stuff. I love going anywhere, really, but I've been to Africa a bunch of times and it's just a beautiful place that needs help, obviously, but helping people that are really thankful is really easy to do. And the people out there always seem so thankful.
There are a number of places on marine charts where even the most weathered sailors point and say, "Right there, nothing can go wrong. Everything has to go right." One place is the turbulent passage south of Cape Horn. Another is the dead center of the Indian Ocean.
I helped found Artists for New South Africa, but it used to be called Artists for Free South Africa. Alfre Woodard and a bunch of us started this.
There are places that I've always wanted to go. First I went to Africa, and when I was there I realized there were places in Africa I really to wanted to visit: The Congo, West Africa, Mombassa. I wanted to see the deep, dark, outlandish places.
You don't really have to go anywhere in particular in New York City to have a good time. In every part of town, there's always something going on. It helps to know people there, too, because everything changes so fast, and they will be able to point out what's hot this month.
It's always difficult, especially the U.S. Open, the last of the Grand Slams. It's always tough because you know, the season is very long. I really played a lot this year. Sometimes it's really hard to stay focused all the time because you're really tired after the whole season.
We were land-based agrarian people from Africa. We were uprooted from Africa, and we spent 200 years developing our culture as black Americans. And then we left the South. We uprooted ourselves and attempted to transplant this culture to the pavements of the industrialized North. And it was a transplant that did not take. I think if we had stayed in the South, we would have been a stronger people. And because the connection between the South of the 20's, 30's and 40's has been broken, it's very difficult to understand who we are.
I have always thought of poems as stepping stones in one's own sense of oneself. Every now and again, you write a poem that gives you self-respect and steadies your going a little bit farther out in the stream. At the same time, you have to conjure the next stepping stone because the stream, we hope, keeps flowing.
I have always loved South Africa, where I shot 'Andaz' and 'No Entry.' Some of the biggest films of my career have been shot in Cape Town.
When the cinematography school told me I would have no chance to get a job, I said, "It's irrelevant." My mom was a feminist in the '20s. She taught me to be on my own, to be independent, to do what I wanted to do. I did not believe it would be difficult. It was difficult. In '66, I almost starved for a year and a half, and the only way I did not starve was because I could not find a job in camera, but I found a job in editing.
Cape Town, South Africa, was pretty incredible. That's probably the coolest place I have ever been, and the kiteboarding is insane there. It's so windy, so you can get massive air.
I always felt like - I mean, I was told, really - I couldn't go too far with the productions because it didn't appeal to black radio. It wasn't until I decided I was going to do what I wanted to do or I was going to quit that I empowered myself. I took my power back.
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