A Quote by Larry Howes

I just implore local music fans to get out on a regular basis to support the local bands that you like. If you find what the corporate record industry shovels out as distasteful, prove that there's a demand for something different and better. I don't expect everyone else to do the two or three nights a week that I did at my peak, but two or three shows a month isn't much of a burden for true music fans!
On the European nights, the corporate fans from overseas can't get tickets. It's mainly local fans. That's why the atmosphere is so great and the passion is so strong.
Obviously, fans are the beginning and end for any artist. The minute your fans embrace you and accept you, you begin this ride of being in music and having a career doing something you love. You get to go be a kid and live out your dreams by performing music for fans who come out to your shows.
We sort of read two or three big newspapers but we don't get the flavor of the local events, the local news as much.
I just people to get big bang for their buck. I just feel like I am really lucky that I still get the support that I do from my fans when it is so easy to download music for free. When fans go out and support and buy my music that really means a lot to me so I want to make sure that I give the very best I can when selling a product.
One thing that did get me into a lot of different types of music was when I was very young, the local record store went out of business and they were selling off all the vinyl. I remember going in - I was probably 16 or 17 and I'd just gotten a record player as a present. It was like hitting the jackpot: all these records for $3 apiece.
I don't think that I have much power at all, and I don't think that I'm trying to do anything outside of making my fans happy with the music that I write and record and, of course, I want to branch out and I want to have more fans, so I try to get interviews and I try to talk to different outlets and I try to get my music everywhere it can be.
I'm always going to be able to touch fans and get new fans because everybody goes through something everyday. I just keep touching different subjects by talking to the streets and reaching out to my fans by telling them a story instead of just giving them music to listen.
I started writing songs for youth theater and stuff, and so it's really writing music for the stage that started me out, but then I eventually went to music college and did a two-year course in contemporary music and then just played in endless bands, cover bands, jazz bands.
I feel like there isn't as much mystery to music anymore. That could be a good thing or a bad thing. There definitely is no seperation anymore. Your connection with your fans is like two clicks away on a phone with a Twitter or a blog. I think that's a good thing. It's a new music industry. You're really connected with your fans.
I did always want to write. And then, when I left New York, where I was working very steadily in the theater - I had done three Broadway shows in a row and was a bit burnt out - I moved out to L.A. and I was not working very much. I came in cold and I'd work for a week, but then I'd have a month or two off. I thought, "I'm going to go crazy unless I actually do write." Like a lot of things in life, it was a situation that came about by circumstances.
So I did a program with the Recording Academy, the Grammy Museum. So pretty much they take, like, one hundred kids during the summer and for a week or two every day they go over something different in music history. Then during the music history part of the program, they would just tell us about the different eras.
True fans of the Constitution, like true fans of the national pastime, acknowledge the critical role of human judgment in making tough calls. We don't expect flawless interpretation. We expect good faith. We demand honesty.
I'm the youngest of five - three girls and two boys. There was one record player for the seven of us. It was good for me, because I got to hear everyone else's music.
You know when I started playing music as a young man I felt the need to be noticed and to prove myself. My motivation is much different now but what's still left is the love of music and the joy of entertaining people- the feeling that I make a difference, giving something back rather than just taking. Every year or two I come out with new music, or new arrangements of old music which keeps my show fresh.
I used to go to a regular, private high school, but I was only there a week out of the month. I was out of school three weeks out of the month, and so I would have everything faxed to me and e-mailed, and it made it really difficult.
Because we live in a condition of ubiquitous music and media, and near infinite technological memory, it is much easier for local cultures to find an audience that resonates with their music, whether local or globally.
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