A Quote by Lars von Trier
If I made a musical in the beginning of my career, it would have been crane shots and tracking shots and people coming out of cakes and whatever, but these techniques are something that I’ve left behind me.
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If I made a musical in the beginning of my career, it would have been crane shots and tracking shots and people coming out of cakes and whatever, but these techniques are something that I've left behind me.
If I could take back all the mistakes that I made throughout my career, I would have had a perfect career. I would have missed no shots. I would have made no turnovers. I would have went right instead of going left when I was supposed to, every game.
I don't try and copy anyone in T20 cricket. My cricketing shots are inside out, behind the bowler, and other shots I have developed.
I'm a big fan of fiction film where you have a story and you have to transform that into a visual language, basically working with actors and also transforming that into how you pronounce that in the visual language of the shots, the construction of the shots and the lighting. All of that appealed to me from the beginning of my career at the university. When I graduated from the university, I wanted to deal mainly with that, with the visual aspect of the movie.
You don't have to hit perfect shots all the time here. The variety of shots you get to play, the shots you sometimes have to hit along the ground, it's just a lot of fun to me.
There's two facets of this game. You know, if I'm not making shots, OK, then I have to do something on defense. So if I'm missing shots or making shots, it doesn't affect my overall game.
I have never seen anybody, and I don't think there has ever been anybody like Nick Diaz in all of MMA. Can you tell me another guy who is going to stand right in front of you, take big shots, and still keep coming at you with those body shots and those amazing combinations?
If I'm blocking shots or changing shots or even preventing players from taking shots, I'm helping the team and we are likely to win when our defense is playing well.
I've storyboarded for things other people have shot. So thinking in shots and orchestrating shots is not foreign to me at all.
[on his use of tracking shots throughout his 50-year career] There's always a certain amount of camera improvisation.
I try to do a good job of contesting shots and blocking shots and altering shots, but I've got to do a better job of doing more.
Runs are runs, even if they are coming off playing cut shots or in front, but it's not like T20 can only be played with big shots.
But now the shots began—not many, but one shot is a fusillade if there have been no shots before.
I believe that good defense embodies seven cardinal principle: reduce the number of your opponent's shots; force your opponent into low percentage shots; control everything within 18 feet; eliminate second shots; no easy baskets; point the ball on all long shots; and prevent the ball from going into the pivot man.
An editor does not just join shots. He creates emotions out of the shots.
At first you see a lot of people say 'Oh he's good, but he can't shoot' or 'Oh he's good, but can his shot translate to the NBA?' That just made me go into the gym and work that much harder to show and prove that I can shoot outside shots, and I can make shots.
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