A Quote by Lars von Trier

Basically, I'm afraid of everything in life, except filmmaking. — © Lars von Trier
Basically, I'm afraid of everything in life, except filmmaking.
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
The first several years of my life were used to upload incredible amounts of fear, and I just became afraid of everything. I was afraid of my parents, afraid of my classmates, afraid of the streets of Washington, D.C. I would flinch at every gesture.
Basically I listen to just about everything except heavy metal.
Filmmaking is really connected to life and all of the expressions that different arts found to allow access to life. Filmmaking touches on all of it.
One day passes and another day comes along, and everything happens the same. But basically, we are so afraid of the brilliance coming at us, and the sharp experience of our life, that we can't even focus our eyes.
I write all my own songs. Everything I did on 'The X Factor' was basically original, except for some of the live shows. Everything I did was original, and I wrote it from the heart.
I think a little tidbit I can give you is that I grew up with basically everything handed to me, except for my career. I worked for that.
When we have found how the nucleus of atoms is built up we shall have found the greatest secret of all — except life. We shall have found the basis of everything — of the earth we walk on, of the air we breathe, of the sunshine, of our physical body itself, of everything in the world, however great or however small — except life.
I spent my entire life being afraid. I was afraid of everything - height, flights - I had no idea why.
You cannot, sir, take from me any thing that I will more willingly part withal: except my life, except my life, except my life.
For me, filmmaking is not exactly a career. I was never in it for Hollywood or anything. My films are markers of where I am in life, where I am in my head. So that's what I'm working on, and I try to keep things in proportion - life and filmmaking. One feeds into the other.
It [horror genre] never dies. It just keeps getting re­invented and it always will. Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense.
Filmmaking is about moments. In real life, things might take six months, a year, but [in filmmaking] you have to create the moment where it happened.
I'm very influenced by documentary filmmaking and independent filmmaking, by a lot of noir and films from the '40s. Those are my favorite. And then, filmmaking from the '70s is a big influence for me.
In life, there's a lot that I'm afraid of. Death is always scary. My sister passed away. I'm not scared to die, so much as I was scared to not have her in my life, and it took a long time for me to reconcile that. There are fears everyday, and things that I'm afraid of. I fear everything, but I keep going.
One can survive everything, nowadays, except death, and live down everything except a good reputation.
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