A Quote by Lasse Hallstrom
ABBA: The Movie; I got a lot of grief for working on that.
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I got a movie I'm working on. 'A Gangsta's Pain' was actually supposed to be the soundtrack to the movie, but it got a little delayed, so the movie is going to come out after the fact.
When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
It's not uncommon to hear people say that the re-entry into their lives is very hard. A lot of actors say that the hardest thing about working is not working, because you go from one of the most structured environments in the world to a place of no structure. Maybe that's why you see someone go from movie to movie to movie.
When I was 25, Abba was formed. After Abba I made three solo albums. Maybe I have been productive enough.
I think the first music I ever heard was Abba. I took my mother's cassette recorder and went into the bushes to listen to Abba when I was four or five-years-old.
I don't normally get very star struck. However, I was just at a table read for a movie. It was an animated movie where they have all the actors come in and sit around a big table and read the whole script out loud so you can see what's working, what's not working. And this is an animated movie that Paul McCartney is doing and he's producing it. So I got to meet Paul McCartney.
Abba Moses asked Abba Sylvanus, Can a person lay a new foundation every day? The old man replied, If you work hard, you can lay a new foundation every moment. Abba Pimen said, To throw yourself before God, not to measure your progress, to leave behind all self-will; these are the instruments for the work of the soul. The desire to rule is the mother of heresies.
I was so tired once 'Abba' was over and just wanted to be calm and with my children. I married, was in 'Abba,' had my children, divorced, all in ten years. I wonder how I managed it, but I was young.
What was so terrible about grief was not grief itself, but that one got over it.
Mo-cap work is less technical than you'd expect. Once you have it all set up you're free to do the whole scene in one take rather than doing a lot of different shots and different takes like you do in a movie. You've got that one go at it and you've got a lot of freedom. You can really express yourself - more like doing theatre than doing a movie.
I do listen to Abba. And a lot of '80s and '90s pop music.
Even things like Abba - I think it's always got a dark, subversive element to it. You've got these four blonde Swedish people singing about their relationships breaking up while they're all going out with each other.
On Fantastic Mr. Fox, I got used to working with animated storyboards as a way of planning for the shoot. We did a lot of sequences that way with this movie. Partly as a result of that, I decided to build more sets in order to do certain shots.
Working on television is much more stressful than working for a movie. The pace of work is relaxed while shooting a movie.
I do a lot of book signings and conventions every year, and I meet a great many readers who are struggling... they're working through illness, injury, addiction, depression, grief, or some other trauma. It seems to me that there's a lot of heroism in fighting those things as well, as best you can.
I created my own concept art and went in and did a 90-minute presentation that cost me a lot of money.And, the great thing is though, when I got the job, they had to buy all of it from me, because one of the set pieces in the middle of the movie was the scene I wrote, and they needed to own everything because a lot of it ended up being the movie we made, so I got all my money back. I was committed. I was going to outspend every competing director.
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