I think of myself as an amateur filmmaker, not a professional, in the sense that "amateur" means love of something, for the form.
The main reason why I'm a documentary filmmaker is the power of the medium. The most powerful films I've seen have been documentaries. Of course, there are some narrative films that I could never forget, but there are more documentaries that have had that impact on me.
I discovered the 7th art at home when I was kid, through Charlie Chaplin's movies and those of my father who shot documentaries. He was my biggest influence. So I took his camera and started shooting.
I still consider myself to be an amateur filmmaker. And I say that because in the Latin origin of the word amateur is the word love, and it's love of a form, whereas professional implies something you do for money or for work.
My mother was an amateur singer, my father was an amateur drunk.
I love documentaries. My problem is when the filmmaker becomes the star.
I was an amateur - I am an amateur - and I intend to stay an amateur. To me an amateur photographer is one who is in love with taking pictures, a free soul who can photograph what he likes and who likes what he photographs.
It's turned into a world of amateurs. There are amateur actors making millions of dollars, amateur cinematographers, amateur directors... Jesus, these amateur directors can get deals for anything. Another comic book? Oh, very good.
The luxury that I have is I'm not career-minded, I just live from one film to the next. For a time, I was making documentaries, and all my documentaries were winning awards and stuff, and then I lost interest in documentaries.
I'm not one of those people who sees documentaries as a stepping stone to doing fiction. I love documentaries and watch tons of documentaries. But, I like fiction films a lot, too.
I suppose every filmmaker, at least the filmmakers I really like, are amateur psychologists to a degree. Or they come from a psychological approach, I guess.
When I was a teenager, I thought maybe I'll be a filmmaker, making film documentaries. My dream when I was a girl was I would be hired by 'National Geographic' or work with David Attenborough, but it didn't happen. I became a model.
I love making films. I'm happiest when I'm doing it. For me, the fear is not being able to make the next thing and not being able, as a woman filmmaker and as a filmmaker of color, to put together the resources to make another thing.
Some documentaries are made by people who are driven more by one particular story, or have different backgrounds or ambitions, but I'm always looking for projects that let me be the best filmmaker I can be, and to be stretched and grow further.
My father was a GP; my mother was a teacher and amateur actress. My father was a bit of a storyteller, but the acting influence must have been from her - yes, put it down to my mother.
I think that, as a filmmaker, you're always making the same film, regardless of how many different stories you tell. This is the case for me, whether I'm making documentaries or fiction films.