A Quote by Laura Dern

As someone who has been asked to ask David Lynch what his movies mean for 25 years, I'm very careful about asking artists what their art means. — © Laura Dern
As someone who has been asked to ask David Lynch what his movies mean for 25 years, I'm very careful about asking artists what their art means.
David Lynch is very important to me, and he does dreamlike movies, but my dreams are not like David Lynch's dreams. I have no interest in copying anybody's work. It would never occur to me to want this to look like someone else's thing.
David Lynch is my friend, and I love his movies and his art and his music. Few things make me happier than working with him.
Has it led you to the conclusion that photography is an art ? Or it is simply a means of recording ? "I'm glad you asked that. I've been wanting to say this for years. Is cooking an art ? Is talking an art ? Is even painting an art ? It is artfulness that makes art, not the medium itself. Of course photography is an art - when it is in the hands of artists."
You mean they killed her?" asked David. They ate her," said Brother Number One. "With porridge. That's what 'ran away and was never seen again' means in these parts. It means 'eaten.'" Um and what about 'happily ever after'?" asked David, a little uncertainly. "What does that mean?" Eaten quickly," said Brother Number One.
The first time I lay actual eyes on the real David Lynch on the set of his movie, he's peeing on a tree...Mr. David Lynch, a prodigious coffee drinker, apparently pees hard and often.
I love David Lynch's style. Someone once thought I was his son, so I must have been doing an alright job at emulating it.
I was very scared when I saw it, because Dune was for me very important in my life. I was very sad I could not do it. When I saw that David Lynch would do it, I was very scared, because I admire him as a movie-maker, and I thought he would do well. But when I see the picture, I realize he never understood this picture. It's not a David Lynch picture. It's the producer who made that picture, no? Who made this horror. For David Lynch, it was a job. A commercial job. It never was that for me.
I've been being asked about my legacy since I was about 25 years old. I'm not sure you can have a legacy when you're 25 years old. Even 37. I'd like to have to be, like, 70 to have a legacy. I'm not even 100 percent sure what the word even means.
We love David Lynch. We're big David Lynch fans.
All of my movies are about how I wish the world would work. I've made very few movies about how the world worked. I could name them on one and a half hands, about how my movies have been very reflective of how the world was exactly. A lot of my movies are really about the way I wish the world was, and that's what this whole art form is all about. It's an interpretive art form.
I love movies; I grew up loving movies. I've always loved movies. I never thought about making movies until I took art classes and then I started studying different artists. As you study paintings, you see light and shadow, of course - Rembrandt, Eugène Delacroix. You start to understand the relationship between people and art, and images. For me, between movies that I watched and art, it was like, I'd love to make moving art. Moving pictures.
I love David Lynch movies, and I like Haruki Murakami books.
I phoned the KKK Grand Wizard David Duke in Louisiana and asked why my membership was being delayed. He said my application was on his desk and promised to deal with it personally. It was the first of many conversations with David Duke. We talked about his family, the weather, and about his political ambitions.
The gentleman has nine cares. In seeing he is careful to see clearly; in hearing he is careful to hear distinctly; in his looks he is careful to be kind, in his manner to be respectful, in his words to be sincere, in his work to be diligent. When in doubt he is careful to ask for information; when angry he has a care for the consequences; and when he sees a chance for gain, he thinks carefully whether the pursuits of it would be right.
I grew up and I've worked with people who have been very present, a) either always jumping to whatever is most modern technologically advanced sort of thing, or b) people in this industry, like Kevin Smith, who, his communication with his fans is hugely connected to his success. And he was talking about that years ago. And David Bowie was doing that years ago. And Prince was doing that years ago.
All of the art that I love is about peeling back layers and delving into something that's in a subconscious or dream realm. People like Jan Svankmajer, or the artist Yoshimoto Nara, or David Lynch.
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