A Quote by Laura Prepon

When I see an amazing play or movie, it inspires me as an actress and a filmmaker. — © Laura Prepon
When I see an amazing play or movie, it inspires me as an actress and a filmmaker.
But you know, 'Star Wars' is the movie that's affected me the most in my entire life. It's the reason I wanted to become a filmmaker, and you've got this amazing opportunity to play on that field.
It takes an entire book to tell you what it was like. To see Robert De Niro play your father - it's not a simple answer. To see Julianne Moore play your mother. To see Paul Dano play you - that's an even more inscrutable question... he's amazing, he's totally amazing, but I can't really say if he's a good me or not.
I'm very much inspired by things that anger me. If I see bigotry, stupidity, or injustice on the news, I'm inspired to find a way to make it into something comedic and relatable. Anger inspires me. Stupidity inspires me. My family inspires me. My accountant inspires me. Everything and anything, really.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
The good news for me is that I have an amazing team behind me, and they've been with me for 20 years now - almost 20 years. And they have seen me as an actress, not necessarily just a black actress. So I have been lucky enough for them to see me that way.
I'm inspired by lines, by shapes, when I see a dress on a person, when I see a beauty in a face, whether it's a man from an ancient culture or a beautiful young model. So what inspires me? Life inspires me.
Me, as a moviegoer, before being a filmmaker, I try to think about what movie I would like to see.
Alejandro Amenábar is a very interesting filmmaker. I had really liked The Others, which was a movie he made with Nicole Kidman a few years ago. He made a very compelling case about how much he wanted me to be in this movie. Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.
In general, I go to see the stuff that for me is, "Thank God for that actor, he's doing something that I never imagined; thank God for this filmmaker, because if this person didn't exist, this movie wouldn't exist." That's why I go to the movies. That, to me, is what's so exciting about this movie.
I think our movie, 'Now You See Me,' is an emotional movie rooted in smart and wits and fully amazing actors working perfectly together. It's like a supergroup of musicians.
The opportunity to live and experience life inspires me. Watching others not take it for granted inspires me. Using time to create something timeless through creativity and proactivity inspires me.
Bette Davis taught Hollywood to follow an actress instead of the actress following the camera, and she's probably the best movie actress there's ever been.
I hope I can be a filmmaker where every movie will be different, and not make one type of movie. I'm always looking for a character that interests me.
Real power is having the ability and the resources to tell an amazing story or to say 'yes' to a filmmaker and change not only the filmmaker's life but the world.
I hope the next actress offered millions to play the 'fat girl for the day' stops to think about this before she signs the contract - even if just to ask, like any professional actress would in any other situation, 'Why does she weigh 350 pounds? And why me for the part?' If the director can't answer these questions, don't do the movie.
'Moonlight' changed me. To see people so moved by this movie inspires me to find something else to offer. And maybe the next one touches only five people or maybe just one person. To me, you know, that would still be worth it.
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