A Quote by Lauren Bush
I did grow up in a household where the narrative was about public service and how are you going to effect change and help people. I'm so glad I grew up around that narrative, but I never had the calling to go out and shake hands and try to get elected.
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For queer people, the personal is very political, just to talk about it in a public space. It's very political just to come out and take up that space and be like, 'This is my narrative. It's not an outsider narrative, and it's not a fetish narrative; it's just my story, and it's worth being told and listened to.'
You can have all the intentions you want and try and guide the narrative, but the narrative is irrelevant because it's how the public digests it that will be indicative of what the series will ultimately be.
What I'm really proud of Beyonce and Solange, they understand the importance of creating the narrative. It's all about the narrative and how you position yourself with your narrative.
I write in reverse: Rather than come up with a narrative and write jokes for that narrative, I write jokes independently of the narrative, then I try to fit them in.
I'm going to do everything I can to get myself elected, but that's not enough. I'm going to try to help move the Senate to be a Democratic majority. I'm going to try to help pick up House seats. I'm going to try to elect Democratic governors, Democratic legislators, and all the way down the line.
Merkel has realized that the euro is not working, but she cannot change the narrative she has created because that narrative has caught the imagination of the German public, and the German public has accepted it.
I have a theory that, for people of color or others who have been cut out of the master narrative, just telling your personal survival tale, your story, is civic engagement. It is a kind of political performance and is really crucial in that storytelling is how the writers connect with people and change. It's how we collect and add to and complicate the master narrative.
I think sometimes when children grow up, their parents grow up. Mine grew up with me. We coexist. I don't try to change them anymore, and I don't think they try to change me. We agree to disagree.
Make your kids go out and play. Kids ought to grow up the way you and I grew up and we grew up fifty years apart or maybe more. But we did the same things. Now who's out playing in the afternoon? Nobody.
I think sometimes when children grow up, their parents grow up. Mine grew up with me. We coexist. I don't try to change them anymore, and I don't think they try to change me.
Odell is going to grow up. That why's he is bringing other people in his life so he can grow up. If he wasn't trying to grow up, he wouldn't be calling Cris Carter.
Sometimes we get bored and want to shake up our format. It's a luxury we have on public access - no one cares about us. It literally doesn't matter if we fail, so sometimes we try to go really big and out of the box.
Maybe, generations ago, young people rebelled out of some clear motive, but now, we know we're rebelling. Between teen movies and sex-ed textbooks we're so ready for our rebellious phase we can't help but feel it's safe, contained. It will turn out all right, despite the risk, snug in the shell of rebellion narrative. Rebellion narrative, does that make sense? It was appropriate to do, so we did it.
When you have the national narrative being "crack is awful and black people are using it," why go against that narrative when you want to get that publication in The New York Times or wherever? It encourages people to play right into it.
Many activists don't want to hear about some grand narrative, one that could unify all of our struggles. So the major issue that needs to be addressed is how to get people to see that there is indeed a grand narrative which just happens to be true.
Where I grew up in Dallas, things might be a little more traditional. People have the same things in mind. They're supposed to grow up, go to college, get a job, get married, and have children, grandchildren. That's the world I grew up in.
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