A Quote by Lauren Bush

It's not what my job is about. I'm not out to make a political statement. I want to stand for something, but more by example. — © Lauren Bush
It's not what my job is about. I'm not out to make a political statement. I want to stand for something, but more by example.
If I'm shopping at the Gap or Old Navy, I'm saying that I'm an ordinary person: I don't want to be seen; I don't want to stand out. That's a statement. If I'm wearing a leather jacket, there's something about me that's kind of a rebel. So everybody says something, whether they want to or not.
If I want to make political decisions, I should stand for election. If I want to do something in the legal field, that's different; that is my - they are my qualifications, but you know, the politicians are the ones who stand up there and are answerable to the people.
Smith and Carlos aside, I object to using the Olympic awards stand to make a political statement.
I like to stand out and make a statement.
I don't believe that the American people want us to focus on our job security. They want us to focus on their job security. I don't think they want more gridlock. I don't think they want more partisanship. I don't think they want more obstruction. They didn't send us to Washington to fight each other in some sort of political steel-cage match to see who comes out alive. That's not what they want. They sent us to Washington to work together, to get things done, and to solve the problems that they're grappling with every single day.
To me, what is important in the theater is that we don't want to make a conclusion. We don't want to make a statement, don't want to say what something is. We want to ask, 'What is it?'
I think if you've got a good idea it will stand out in one of the different mediums. For example, something might happen to me today and it could be something to talk about tomorrow on the radio, or I can write about it, or perhaps it will be best suited to telly.
Every once in a while an issue comes up where I have to make a statement. I can't totally avoid all political issues, but I try my best to minimize them. When I do make a statement, I try to be fairly neutral.
All my films have some kind of statement about something - but I have to coat it with entertainment to make it palatable. Otherwise it becomes a polemic, and people don't want to see it. If you're trying to get a message out to people, you've got to entertain them at the same time.
There are only a few times in a man's life where you have the chance to stand up for something that you believe in and make a statement.
It's not like we were setting out to make a political statement - we're just a band with opinions.
I need to keep my ad-libbing skills honed and make sure I'm able to banter with people and treat topics a bit more light-heartedly. But as a stand-up, first and foremost, my job is to make sure that I can write the routine that hopefully people will talk about when something big happens.
I think it's a real danger, as an actor, when you try to make some statement through your career about what the business should be doing or ultimately what your image should be or how you want to be perceived. I look at every project that comes along and say, "Is this something I can sink my teeth into and can do a good job on?" That's really how I choose roles.
When you go to a studio with something you want to make, or they come to you with something they want to make, more often than not, it's a tent pole. Not something one single person is really passionate about on a creative level.
I think there's something about wanting to stand in the spotlight. I think the ball is a spotlight, for example, and I think they want to stand in that. I a lot of times see - LeBron is a guy that vacillates between wanting to do that and then wanting to get somebody else involved.
Sometimes I make films about scenes other filmmakers would leave out, so I just make the film out of all the things they wouldn't put in. Poetry allows you to do this more than prose, for example.
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