A Quote by Lauren Conrad
Writing those books ['Beauty' and 'Style']was really eye-opening, as you realize just how much goes into beauty and fashion, and also how much I've learned over the years. I think both books are essential, as they don't really teach you one particular look that will go out of style next season, but rather tools and tricks you can use over the years.
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When I say "an energy miracle," I mean that there will be some form of energy whose 24 hour cost really is competitive with hydrocarbons given, say, 20 years of learning curve. You invent it, then you look at how much its costs go down over the next 20 years, that it really beats hydrocarbons.
I've learned over the years that you're going to be most successful at the things you're most excited to do. Every artist has a special set of tools. When you really use those tools, and you make yourself feel really good about the product you create, I think you'll find an audience for it. I've been very fortunate in that respect.
Some guys are afraid of "fashion" even those this isn't really fashion. It's more "style". A lot of guys don't want to look like they care too much. The idea of standing in a fiting room and trying things on and saying, "How does this look?" I think maybe that experience is a little bit intimidating.
What I think of as style - and I've gotten to this over years of really thinking about it - is that style is the unconscious choices I make.
I am very bad at remembering the books I've read and so recently I had a wonderful experience. I decided I wanted to teach Toni Morrison's The Bluest Eye. I hadn't read it in twenty-five years. I was surprised to find how much I drew from that book. Stole from that book, learned from that book about writing. I had forgotten and there it was. Morrison has called that text faulted. I cannot see how.
I am interested in writing how women really feel, how they really think, and how they respond to men. I don't want men reading my books because they might find out too much.
Over the course of the years, I've learned [that] fashion is a fascinating business about selling magic. It is done on the backs of our optimism and our insecurity. It is as much psychology as commerce. But I've also learned that every day we make split second decisions about people based on their attire and those decisions can have powerful implications - see the story of Trayvon Martin and his hoodie. It's important for us to understand how fashion works and how we connect to it.
I've always been into dressing nicely. My dad's really into fashion, also. We'll always go out and buy stuff. He has his own style and I have my own style, but it's a shared thing. Same thing with my grandfather; he was really into his style, so it's just sort of been passed down, I think.
Think about what you like and then think about why - was it the shape? The hem length? And then repeat over and over until you find your signature style. And if you ever get sick of your signature style... change it! That's the beauty of fashion.
Improvisation in general is good, and improvising material into themes, turning the material into something codified and repeatable, taught me scenic structure and dramatic gambits that work and things that are appealing both as a performer and an audience member, like you know, what does "want" really mean in a scene, and how do you achieve your want, and how is that expressed, and how do you achieve closure? Those are all things that I learned performing at the cabaret after just doing the same scenes over and over and over again over the years, with my own ability to change.
California was special. It's a place where I learned how to be adventurous, both in style and fashion, but also in terms of the way I think.
Fashion you can buy, but style you possess. The key to style is learning who you are, which takes years. There’s no how-to road map to style. It’s about self-expression and, above all, attitude.
My personal style is kind of random; it's always changing - I'm a Pisces! Sometimes I like one particular style for a season, and the next season I will dress totally different.
In America there's a tendency to write the same book over and over because that's what sells. So in a way, my success in America has come at the expense of what I do. I haven't sold out, and I haven't taken the popular road to writing a best-selling book. I've really bucked the system. So it was necessary for me not to go and find the easy fans, the ones who want something digestible and fast with a happy ending that they can read over and over again no matter how many different books it is. I had to find fans who really wanted to think. Worldwide they all have that in common.
I love Gwen Stefani. I'd watch what she'd wear over and over again and think, 'How do I nail this style?' And then, I like that classic beauty, too. Audrey Hepburn, she's so elegant.
My comics have changed so much over the years, in the writing, in art style, sometimes incrementally, sometimes quite suddenly. So I've cultivated an audience who will go along with me because they trust me.
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