A Quote by Laurent Baheux
I don't do a lot of editing post-shoot, but I use Lightroom to play with contrast and texture and to remove dust.
Related Quotes
Well, you always discover a lot in the editing room. Particularly the action, because you have to over-shoot a lot and shoot an enormous amount of material because many of the sequences have to be discovered in the editing and manipulation of it.
In my day-to-day, I don't wear a lot of makeup, but if I have a lot on from a red carpeted event, I'll use a regular makeup wipe to remove it. Then I use a gentle foaming cleanser, which really gets down into the skin rather than just helping remove the makeup.
A lot of directors, they don't go into the editing room during the shoot. When they come back, they've forgotten what they've shot. That's why their films come out a year after they shoot them.
I don't shoot movies quickly because I get a lot of coverage and a lot of angles, so we have all the pieces in the editing. I do a lot of takes, but it's because I'm looking for something.
I'm attracted to directors in general because I appreciate the work and the job they have to do. I watched the post-production, I watched the pre-production... post-production is something that I'm very interested in and I did spend a lot of time in editing rooms when I was young pretending to be sick.
I shoot a lot of bank shots and a lot of shots around the perimeter. There's a lot of things I like to work on, but I know my bread and butter when it comes down to it, and that's in the post.
Matchy-matchy is not for me. I don't want things to be too perfect. It's like pairing a matte top with a shiny skirt, so they play off each other. I want there to be relationships with texture and color, and sometimes it's more about the contrast that chimes.
I play with a lot of guys who say they're a five handicap, and they shoot 110. And then you play with guys who say they are a 20 and they shoot 75.
I know texture is really important, but I think texture and stuff precedes songwriting a lot of the time these days.
Gather out of star-dust, Earth-dust, Cloud-dust, Storm-dust, And splinters of hail, One handful of dream-dust, Not for sale.
I grew up in the '80s where there's a lot of these kind of post-apocalyptic, post-comet, post-whatever it was, so that always captured my imagination a lot as a little kid, that idea of getting access to secret places and being able to roam around where you're not supposed to.
I get very, very anxious on the set. I have a thousand ideas and I don't censor myself. I wind up cutting some of them out in the editing room... I shoot [needless footage] and then don't use later on in the process.
I never ever see a film of mine after I release it to the public. I see it when I shoot it in my dailies and while I'm editing it, re-editing it and reshooting it and all that. By the time it's finished I never want to see it again.
Whenever I'm doing any film, there's always three different things. There's the script, which is really just a blueprint. And then, you shoot the movie and it's an entirely different experience than you would expect from reading the script. And then, there's the whole post process and the editing, and it becomes something else entirely.
My current project was shot on film, and because of that I've spent my entire day removing dust-specks from negatives. You wouldn't have to do that on digital because you don't get dust on the scanner. I say to myself, "Why am I doing this all day?" I could have just bought a digital camera and I wouldn't have to remove dust-specks ever again. But when you move closer to a film image, it has a real truth to it. And I really like that.
A real challenge that I've had with my company, Bayou With Love, is getting people to understand that using post-consumer materials does not mean that you are getting a "less than" product than one made with virgin materials. I use a lot of post-consumer plastic in Bayou's clothing. I use it in our bags, which are made from recycled plastics from the ocean.
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