A Quote by Lee Isaac Chung

'Lucky Life' is my second narrative film. I worked on the idea for 'Lucky Life' while in Rwanda for my first film. — © Lee Isaac Chung
'Lucky Life' is my second narrative film. I worked on the idea for 'Lucky Life' while in Rwanda for my first film.
I was very lucky that my first film, 'The Blind Side,' I worked with Sandra Bullock.
I'm not really premeditative in any way at all. I come up with an idea, hopefully for a film, and then I'm lucky enough to do the film.
Honestly, I was not good in my debut film 'Poster Boys.' With my second film, 'Laila Majnu,' I was struggling with everything and I just felt lucky to even get the part.
I'd say the film to avoid is a director's second film, particularly if his first film was a big success. The second film is where you've really needed to have learned something.
'Black film,' unless it's lucky enough or creative enough, or timely enough to build a life of its own, hangs subjacent to 'white film' on Hollywood's financial score board... aided and abetted by the supposition that so-called black film has no foreign market.
Most people with a big idea, great talent and/or something to say don't get lucky at first. Or second. Or even third. It's so easy to conclude that if you're not lucky, you're not good. So persistence becomes an essential element of good, because without persistence, you never get a chance to get lucky.
My first film was a big dud at the box office, and my second film did decently. I used to wonder how it would feel to have a hit film. I thought I'd be larger than life, but I'm not feeling anything I imagined. It's a completely different experience.
I think I'm an actor. You can hire me. I can do a good job. But you also have to get lucky now and then. Every film-maker knows how hard it is to do a good film. You have to just make many, and see how lucky you get.
I'm very lucky to say that I worked with a lot of directors who cannot make a bad film. Like when Wim Wenders, they cannot make a bad film. They can make a film people don't like, or it's the wrong moment.
If forced to choose my favourite film, I would have to say 'Raging Bull' because it was the first feature film I worked on, and it was like having pure gold in my hands. But my husband's film 'The Life and Death of Colonel Blimp' is equally a favourite because of its enormous emotional power.
Everyone gets lucky for some amount in their life. And the question is, are you alert enough to know you're being lucky or you're becoming lucky?
We just constantly worked on second Saw film, it's not an Academy award level film, but we worked as hard we could to make it plausible.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
I was lucky enough to come in at the beginning of the independent film movement, and it's really shaped my life and my career.
I’ve been lucky, so lucky, working with [...] Rachel (McAdams) on The Notebook. A big draw for me, when I do a film, is who am I going to be opposite, because there’s only so much I can do on my own.
I think as an actor you're lucky to have any film take on a life of its own long after it's left the theater.
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