A Quote by Lee Isaac Chung

The single most eye-opening experience for me and what propelled me to become a filmmaker was that I started to see films from other countries. — © Lee Isaac Chung
The single most eye-opening experience for me and what propelled me to become a filmmaker was that I started to see films from other countries.
'Naked' propelled me into a whole other league. America started calling. I went over to Los Angeles and met all those people, and I started doing a few American films of various levels of quality.
The one experience that I hope every student has at some point in their lives is to have some belief you profoundly, deeply hold, proved to be wrong because that is the most eye-opening experience you can have, and as a scientist, to me, is the most exciting experience I can ever have.
When I left university I was sure that I was going to be a painter. Then I had a crisis, a revelation. I saw Dolce Vita and my mind was blown by it, by the synthesis. I realised I wanted to be a filmmaker and started making films. I was writing screenplays and couldn't get money because my work was so uncommercial. I got married and started writing fiction. What was wonderful is that it gave me my freedom because no-one can tell me I can't work. Novels have become equally important to me as films. I consider myself a storyteller and passionately engaged in both of those disciplines.
I got the travel bug when I was quite young. My parents took me and my sisters out of school and we travelled all over Europe. It was an eye-opening experience and, although I love Norway, I also enjoy visiting new countries. I don't get homesick.
The only reason I acted in school was because of the community. I was in the chorus of every play and was never the lead other than one time, but to me it was about the community. I was an English major and my whole goal was to be an English teacher and was lucky enough to get into the playwriting group. The whole experience I had at Brown was eye opening and the most mind-bending experience.
It was never a deliberate decision to make films about the 'woman experience'. Having said that, we are all many things - for example I'm Igbo and Nigerian, a director, a filmmaker etc., but I feel what affects me the most, especially the way people/society view or treat me, is the fact that I'm a woman, and I'm fascinated by that.
Look me in the eye. It’s ok if you’re scared. So am I. But we are scared for different reasons. I am scared of what I won’t become. And you are scared of what I could become. Look at me. I won’t let myself end where I started. I won’t let myself finish where I began. I know what is within me, even if you can’t see it yet. Look me in the eyes. I have something more important than courage. I have patience. I will become what I know I am.
To see the angel in the malady requires an eye for the invisible, a certain blinding of one eye and an opening of the other to elsewhere.
Everybody should work in their nation's capitol and see how politics actually work because it was the most eye opening experience of my life.
Opening for Louis C.K. during his "Hilarious" tour was a great experience for me. He is the generation just ahead of me, because he started so young.
I didn't see films when I was young. I was stupid and naïve. Maybe I wouldn't have made films if I had seen lots of others; maybe it would have stopped me. I started totally free and crazy and innocent. Now I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
David Lynch was actually the one who first inspired me to become a filmmaker when I was in high school. His films just took me to that dream place that lifts you out of the norm, out of the everyday life, and that is kind of what allured me.
I was done with wrestling and I was teaching with competition behind me. It was that experience that gave me confidence and propelled me to fight.
I loved films like 'When Harry Met Sally' and 'Annie Hall,' but these were very specific, white Manhattan experiences. You don't see a single person of color anywhere, but somehow these films are universal. As a filmmaker and creator, I was frustrated with that idea.
'Fast and Furious' is the only franchise that I've directed that I did not create from scratch. So it definitely was an eye-opening experience for me coming to that world. I had to be respectful of the roles that had been established by the filmmakers before me, and I was cool with that.
I would not want to forget the first time I read The Lord of the Rings. I would never want to forget that! That was so magical to me, and that was a real eye-opening experience. I was probably 11 when I read that and already a reader, but I think that book really showed me how you can be transported and how your imagination can take you to a whole other place.
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