A Quote by Lee Unkrich

I wanted the Andy of Toy Story 3 to be right on the cusp, straddling childhood and adulthood ... I wanted to find this sweet spot where he had gotten tall and had clearly grown up but still retained many boyish qualities, including a boyish charm.
I'm like the luckiest girl in the world. I've gotten to be a princess, I've gotten to work with the Muppets. A lot of my childhood dreams about who I wanted to be when I was a grown-up, I at least get to play them in movies.
I don't feel like a very feminine woman sometimes. I feel manly. When I was in my twenties I would say I was a masculine girl and now I realise the whole idea of femaleness is a construct. I'm a boyish girl, who talks over people and I do a boyish job.
We hope 'Toy Story 3' looks amazing but still retains the character design of the first film. I like to think it looks like 'Toy Story' would have looked back then had we had the skills and the technology.
I never wanted to express my independence by dressing in a particularly masculine way or appear particularly boyish.
I knew what I wanted to do when I set out. I knew that I wanted to write a book that told the story, obviously. I wanted it be comedy first, because I felt like there already had been childhood druggy stories that were very serious, and I felt that the unique thing here was that I was a comic and I could tell the story with some levity, and I have been laughing at these stories my whole life.
After we finished 'Toy Story 2,' we talked about going right into making 'Toy Story 3,' because we had an idea that we thought had some promise. But there were a bunch of boring contractual problems going on between Disney and Pixar at the time that kept us from making the movie.
I had a fear of being too tall because my dad is very tall, and both my sisters are very tall. And they're drop-dead gorgeous, but I just didn't know if I, as Storm, wanted to be 6 feet tall, 'cause I feel like that's pretty tall.
I've wanted to direct for a long time, but it had to be a story I wanted to tell. The writer's job is to find the story that he should tell.
She had been in situations like this, where people said, Convince me, and in none of those had they actually wanted to be convinced. She could lay down a perfect argument and they just invented new bullshit on the spot to justify why the answer was still no. When people said, Convince me, she knew it didn’t mean they had an open mind. It meant they had power and wanted to enjoy it a minute.
I had always wanted to tell a story that was set in Los Angeles in the '50s, because that's where I grew up, and it was the city of my childhood memories.
I used to feel more straight for certain months and then just think about boys all the time I'm attracted to women who are very, very boyish. I'm not very big on big mammaries. I have a tendency to be attracted to very, very boyish girls. And usually very feminine men.
I just wanted to be who I was, which was like so many other girls I knew. We grew up in the city, had a hard edge and obstacles to overcome, but we were still young and beautiful. I didn't want to be all dressed up, all made up - I wanted to be myself, which hadn't been done before.
I had grown up loving movies and had always wanted to write them.
I had just wanted to be part of a story; I wanted to be a person who had a story to tell.
the real reason I had wanted to grow up, the main reason I had been willing to even consider becoming an adult, was so I could have as many pets as I wanted.
Boston's freeway system is insane. It was clearly designed by a person who had spent his childhood crashing toy trains.
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