A Quote by Lee Unkrich
We could make the most beautiful film in the world, but if it doesn't have a heart beating underneath it, then no one's going to be interested.
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You're incredibly brave. And you're going to make it through this because you have a very strong heart. A heart that is capable of loving so much about life and people in a way you never dreamt a heart could love. And you're beautiful in here. Your heart is so beautiful and someday someone is going to love that heart like it deserves to be loved.
Let us remember that the Christmas heart is a giving heart, a wide open heart that thinks of others first. The birth of the baby Jesus stands as the most significant event in all history, because it has meant the pouring into a sick world of the healing medicine of love which has transformed all manner of hearts for almost two thousand years... Underneath all the bulging bundles is this beating Christmas heart.
It's one of the most beautiful things in the world, to go off and make a film. At the heart of it, making a film - it's pretend. It's a silly thing to do. But it can be important, and to have that experience with people you love is one of the best things you can do.
I felt beautiful when I was in Cambodia for Tomb Raider. I was sweaty, and my hair was matted and all over the place. And I was happy and hot and accomplishing a lot and running around, and I could feel my heart beating, and I felt beautiful.
I have accepted myself in a world that does not accept me, because I have learned - and more than any of the lessons of my accident, this is the one I wish I could teach everybody - that our hearts matter most. Your heart matters most, so be gentler and more patient with yourself, and their hearts matter most, too, so be kinder and more compassionate to others. It's a beautiful heart, not a perfect body, that leads to a beautiful life.
I love my work, apart from when it's driving me crazy. But I get to be interested in stuff and think like a filmmaker as I'm buzzing about the world and then see an opportunity to make a film, and then make it happen.
When I was studying photography, I became interested in conflict photojournalism, and that got me interested in lighting. Then I realized there was this amazing thing called cinematography where you could kind of tell more complete stories photographing for film. So I ended up going to AFI grad school for that.
I wanted to be a playwright in college. That's what I was interested in and that's what I was moving toward, and then I had the lucky accident of falling in love with film. I was 19 or 20 that I realized films are made by people. Shooting digitally became cheaper and better. You couldn't make something that looked like a Hollywood film, but you could make something through which you could work out ideas. I was acting, but I was also conceiving the plots and operating the camera when I wasn't onscreen. I got very unvain about film acting, and it became a sort of graduate school for me.
I could play for another club in Europe but my heart is beating too much for Bayern. But I could imagine going to the U.S., Qatar or Dubai for a new experience.
I love the idea of the winter rose that's sort of sleeping underneath the soil. Underneath all the snow is this plant that was growing and developing and could present itself as this beautiful flower in this time where everything else around it is very barren.
In a film, if you can capture what's going on underneath, you can begin to make a connection between the character and the people watching it.
Follow your heart, and your pleasure in art. Don’t do what you think is going to be making you money, or what you’re parents want you to do, or what that beautiful girl or guy thinks you should be doing. Do what you love. It’s going to lead to where you want to go. Go out there and make the world more beautiful. I know you can.
If you don't believe that the world has a heart, then you won't hear it beating, you won't think it's alive and you won't consider what you're doing to it.
If the film isn't in some way going to study behavior then I'm not interested, but the reason why I'm not interested in directing in film is that it would take me, to be as good an artist as I feel I am an actor, it would take me another 35 just to conquer.
Nilda is watching the ground as though she's afraid she might fall. My heart is beating and I think, We could do anything. We could marry. We could drive off to the West Coast. We could start over. It's all possible but neither of us speaks for a long time and the moment closes and we're back in the world we've always known.
Every time I make a film, I try to do it slightly different. If you're not 100% engaged and interested, then it's not gonna translate into a successful film.
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