A Quote by Lee Unkrich
Every one of us at Pixar is worried that we're going to be the one to make the dud.
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Any of us directing at Pixar, whether it's our first time or not, feel a lot of pressure to not make a bad Pixar film.
I auditioned for 'Coco' when I was nine years old, and I had no idea I was auditioning for a Disney/Pixar movie. When I was 10, they told me that it was going to be a Disney/Pixar movie, and I was just mind-blown. I was so shocked and thankful that I was going to Pixar.
Once we can do Pixar-quality graphics rendered in real time with interactivity, I could see games costing $200 million to make, and all of a sudden you have to sell a lot of games just to break even, so I'm a little worried someone's going to do that.
Gore said foreigners are not worried about 'what the terrorist networks are going to do, but about what we're going to do.' Good. They should be worried. They hate us? We hate them. Americans don't want to make Islamic fanatics love us. We want to make them die. There's nothing like horrendous physical pain to quell anger. Japanese Kamikazes pilots hated us once, too. A couple of well-aimed nuclear weapons got their attention. Now they are gentle little lambs.
I'm worried about privacy issues, I'm worried about Russian attacks. They literally, if you if you look at what their insidious aims are - to divide this country, is to make us hate each other, to make us not to trust media.
I was 15 on the show, and I cried a lot. I was homesick, and was so worried, that I didn't think of being on 'American Idol.' I was so worried that I was going home every week that I didn't enjoy it as much as I should have.
What's fun about the story development at Pixar is it's a journey. You don't just write a script and then that's the movie you make. It's just constant evolution and being open to that and that collaboration with the voice actors and with the artists and animators at Pixar.
Every Pixar film, when we start developing the story, it takes about four years to make one of our films.
Pixar makes movies that make sense for Pixar, and Disney makes movies that make sense for Disney, and they've each emerged in their own unique way.
When Pixar calls and says, 'Hey, you wanna be in a Pixar movie?' you don't do a lot of contemplating!
If the NBA is worried about the NBA, if the NCAA is worried about the NCAA, if each individual institution is just worried about themselves, and the last thing we think about is these kids, then we're going to make wrong decisions. There are a lot of players of different levels, of different abilities. Let's be fair with them.
I tend to be pessimistic about everything: If things seem to be going good, I'm worried that it's going to end; if things are bad, then I'm worried that it's going to be permanent. It's not a very comfortable attitude to have all the time.
At Pixar, we do a million versions of the movie, and every one of them goes through their awkward teenage phase where it's terrible and doesn't make sense, and we just keep working on it.
A Mozart symphony is very much like a Pixar movie - in the sense that Pixar movies are hugely successful because they operate on several levels at the same time.
I am worried that algorithms are getting too prominent in the world. It started out that computer scientists were worried nobody was listening to us. Now I'm worried that too many people are listening.
I'd visually have that idea. I'm diving off the end of the diving board. I'm not going to be worried about if I'm going to dive into a jellyfish or the water's going to be too cold or the boys are going to beat me. I'm just doing it. And if I do it, it's a good chance I'll make it.
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