A Quote by Leigh Whannell

I really liked that documentary, 'Room 237.' — © Leigh Whannell
I really liked that documentary, 'Room 237.'
I liked Augustus Waters. I really, really really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially-fraught free throws.
When you're making a real documentary, you shoot it and the movie happens. You don't make - this sounds corny - you don't make a documentary, a documentary makes you. It really does.
I'm organizing documentary films, and whenever scriptwriting gets too tedious I go to my editing room and start to edit the documentary, even if I don't have the full funding yet. So you have to keep yourself busy, you have to like the subject matter.
When you say documentary, you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that's a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I'm called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction.
Documentary: That’s a sophisticated and misleading word. And not really clear… The term should be documentary style… You see, a document has use, whereas art is really useless.
I saw this documentary he did years ago called 'Fade to Black.' I was always a Jay Z fan - I liked Jay Z - but after I saw that documentary, I loved Jay Z. I realized how intelligent he was.
I need there to be documentary photographers, because my work is meta-documentary; it is a commentary about the documentary use of photography.
If you're a great documentary filmmaker, it doesn't necessarily mean that you're a great narrative filmmaker. There are fantastic documentary filmmakers that can't direct actors. You don't have to do that in a documentary, if it's a real documentary.
I really liked 'Walk The Line,' and I really liked 'Girl Interrupted,' and I really liked '3:10 To Yuma.'
As the documentary 'True Son' illustrates, my campaign for city council started really small - with eight mostly political neophytes in my living room and with young people knocking on doors.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
I liked playing in small clubs. I really liked holding the attention of thirty or forty people. I never liked the roar of the big crowd.
Maybe every two films you need to do documentary to tell what you really want to tell and not be limited by the medium. With documentary you don't create the reality you have to hunt the reality.
Feature filmmaking is a different kind of complication as documentary comes in the editing room.
I have always liked clothes and fashion. And really, being a British male, I am automatically the best dressed person in any room - especially in America.
Growing up, I would just sit in my room and watch Detroit news. I was obsessed with Rich Fisher and Amyre Makupson and, of course, Bill Bonds. He was such a character. I just really liked these people. I'm just really a nerd for it.
This site uses cookies to ensure you get the best experience. More info...
Got it!