A Quote by Leigh Whannell
Writing feels safe, you know, it's a hard job, but at least you're in your office or wherever you are and there's no one standing over your shoulder staring at what you're writing. And when you're directing, everybody's looking over your shoulder.
Related Quotes
Who do you hang out with?" Natalia asks, looking over my shoulder. She's always done that. Wherever you are, whoever you are, she'll always look over your shoulder to see if there's someone more exciting to speak to. It used to make me feel paranoid.
I come out of journalism, and then book writing. There, it's just you and your editor and maybe a copy desk, looking over your editor's shoulder, and that's the story. It's right there. I can show it to you because it's on paper.
With every advance, you have to look over your shoulder and know what you're giving up - look over your shoulder and look at what falls away.
It's never nice looking over your shoulder and needing other results but sometimes that happens in football. It's a lot better to know your future is in your own hands.
If your family or your people are looking over your shoulder, change your seat or push them away.
I don't want to be influenced as to what I write in the next book, to hear those voices in my head when I'm writing. The idea of second-guessing your reader is dangerous, trying to please some notional reader looking over your shoulder, instead of just yourself.
Being on the run, having to change the way that you do business, being unable to plan in a safe and secure environment, always looking over your shoulder, knowing that some day somebody's going to knock on your door and it's going to be your last.
I'd love to write some porn, but I don't know if I have the right engines. When I was a young man and I was tempted to write porn, imaginary parents would appear over my shoulder and read what I was writing; just about the point that I managed to banish the imaginary parents, real children would lean over my shoulder and read what I was writing.
For me, its better to live without looking over your shoulder, worrying about who is controlling your phone, maybe poisoning your food.
For me, it's better to live without looking over your shoulder, worrying about who is controlling your phone, maybe poisoning your food.
People read stuff over your shoulder when you're in public, and when you write the kind of stuff I do, and people read it over your shoulder, it makes you a little self-conscious.
In 1951 I took my first art course. And one day I looked over my shoulder and there was this tall gentleman standing, very well-dressed and groomed, and he asked, "What is your name? I don't know you. What is your major?" I said history. And he looked at my drawing and looked at me and said, "You don't belong over there; you belong here." He was James A. Porter.
The best time to tell your story is when you have to tell your story. When it's not really a choice. But then, when you get that first, messy, complicated version down, you have to read it over and be very tough on yourself and ask, 'Well what's the story here?' If you're lucky enough to have someone you trust looking over your shoulder, he or she can help you if [you] lack perspective on your own story.
The act of writing should not be accompanied by the sense of an audience, someone peering over your shoulder, but in nonfiction I think it’s almost imperative that you identify an audience so you can confirm or challenge or undermine whatever ideas or prejudices they might have about your subject.
If you're good, you're always looking over your shoulder.
The past can be a terrible weight bound to you by an unbreakable chain. You can drag it with you, forever looking over your shoulder at what holds you back. Or you can let it go and move forward. It’s your choice.
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