A Quote by Leigh Whannell
I feel like if you boil supernatural ghost films down to their core essence, they're really about death.
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I've learned to start from a really sound argument, boil down the essence of what you're trying to say, then build your humor around that, rather than starting with, 'This sounds funny,' and going from there.
I have to say my favorite stories are ghost stories. I don't like to see these made-up monster films or scary films with ghosts. It doesn't do anything to me. But a real ghost story that someone tells me, that I like.
When you say: The simple truth is this, and then you pause, and then you finish the sentence, people stop, and they think specifically about what you're saying. And it's, in essence, trying to boil it down to something that's very understandable and meaningful.
When I sing, I have a sense of peace, I feel like my brain turns off, and I become the core person of who I am - the essence of me. I feel connected to whatever is out there. It's almost like I leave my body and get to watch.
The studios are making fewer films. They are making more expensive films. Profits are tougher to come by. Not only because of the expense of production. But also because of the expense of promotion and hype. To boil that all down, it's more about hype than it is about filmmaking.
Supernatural films allow you to bend the rules of time and space - that's really fun, especially for screenwriters who often get shot down for logic reasons.
The actual process of travel I really like, because that time on planes and in airports makes me feel like I'm moving around like a ghost. There's a certain aspect of justifiable downtime. I really feel like being online is so pervasive now.
I like something where I can really use my imagination and be an active participant in the construction of the monster and usually that's in the world of the supernatural or the world of the fantastic, so that's why those kinds of stories about demons and the supernatural appeal to me or maybe I'm really interested in that subject.
When you boil down the real facts and statistics of what carbon dioxide is doing to this planet... to not feel like you have to do something... I don't think you're human.
I love really, really deep, dark-as-Russia storylines. I love supernatural aspects. I grew up with ghost stories.
Our core business are those pieces that you really want to have accessible to you but you don't really want to worry about, like a great white button-down.
If death itself were to die, would it have a ghost, and would the ghost of death visit the dead in the guise of someone alive, if only to fright them from any temptation to return?
We try to make films for people [that are] the films that we'd like to see. They're not easy to get made. They're hard to get made. You have to keep the budget low to get them made. But at the end of the day, I don't really worry about competition, because I don't really think of it that way. I don't feel like I'm in a race with anybody.
If I feel like I haven't really tapped into the essence of the story when I do an assignment, I may revisit it on my own, and that's when I feel freer to add my imagination. But I think that if you feel imaginatively towards a subject, you really shouldn't do it in a journalistic context, because then you're just fabricating, and that's crazy.
I think that the really cool thing about 'The Nine Lives of Chloe King' is that, while it has a lot of supernatural elements and Chloe is a superhero herself, it is not all about the supernatural.
For me songwriting is very...it's almost like an accident. 'Oh I accidentally wrote about that.' I sit down with the urge to write a song and then afterward it turns out being really personal. I get really overwhelmed by how I feel a lot and sometimes - I feel like my body and my brain can't deal with all the different emotions and I feel like I'm just going to explode.
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