A Quote by Leigh Whannell
The problem with acting is that there's really no control. You're at the behest of others.
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The problem with acting is that there's really no control. You're at the behest of others. Everyone else decides if you did a good job and you have to wait for other people's permission to work as an actor.
Why are you sitting here when our democracy is under assault with the FBI acting at the behest of [Republican Congressman] Jason Chaffetz and sitting here acting like it is something legit?
We have little control over the circumstances of life. We can't control the weather or the economy, and we can't control what other people say about or do to us. There is only one area where we have control--we can rule the kingdom inside. The heart of every problem is the problem in the heart.
We're spending money that we don't have to solve a problem that doesn't exist at the behest of people we didn't elect.
I define democracy as control by the people. Slaves are those who allow others to control their lives. Insofar as people succeed in solving their problems fairly and efficiently at a grassroots level, they retain control over their lives. Insofar as they delegate their problem solving to a higher authority, they lose control over their lives.
Ballet has really helped me in every acting role. You have to be very disciplined, you have to be able to control your nerves and perform under pressure, and all those things you have to use in acting when you're on film or going for an audition.
I love acting. I think that's the best job in the world, but I don't really enjoy the career of it so much. You don't have as much control over your life or the material as you do, well, certainly when you're a director or a producer, so while I love acting, I prefer to make my living as a filmmaker, but my rule on acting is if somebody asks me to do a part, I'll do it.
The real truth that dare not speak itself, is that no one is in control, absolutely no one... Nobody is in control. This stuff is ruled by the equations of dynamics and chaos. Now, there may be entities seeking control - the World Bank, the Communist Party, the rich, the somebody-or-others - but to seek control is to take enormous aggravation upon yourself... It's like trying to control a dream.
Acting is a great life and all that, but it's the director who is really in control.
When you start looking at a problem and it seems really simple, you don't really understand the complexity of the problem. Then you get into the problem, and you see that it's really complicated, and you come up with all these convoluted solutions. That's sort of the middle, and that's where most people stop... But the really great person will keep on going and find the key, the underlying principle of the problem - and come up with an elegant, really beautiful solution that works.
The thing is, if I try to talk about acting, I come off as moaning. But I'm privileged. I think it's all about control. Acting is vulnerable because you're not in control of anything. You have to give up a lot of your trust; it's up to somebody else what they do with what you've given them.
It's not a gun control problem; it's a cultural control problem.
Another challenge? Getting up at 6:30 in the morning to go act. It's not fun acting that early in the morning or acting at 4 A.M in the middle of the night or in the morning when you're really tired. That's a challenge. What a luxurious problem to have.
There's an element of control that comes with acting which you've just got to be really mindful of.
When you really get it right in acting, it's an act of empathy. You feel less distant from others, and that is really exciting.
So for me having that element of being able to be competitive wasn't a problem. I'm very competitive. I thought if I could skate first, acting would come second. I could say my lines and then go do what I was saying. You don't have to fake it, you're not really acting.
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