A Quote by Leigh Whannell
I always want to fulfill genre expectations and think that should be the bedrock of any film - then you can layer in thematics.
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Any genre as it's called, I think can be quite reductive in terms of what a film is, because I think there is an eagerness to put in any film, in anybody's work, to give it a genre title and I think as a consequence of that, the film starts to obey the rules of the genre.
If I fulfill YOUR expectations, how am I going to transform you? I have to DESTROY your expectations. I have to destroy the very mind that creates those expectations. If you come to me, never come with expectations, otherwise you will be disappointed - because I have no obligation to fulfill your expectations in any way. In fact, if I see that there are some expectations, I do things DELIBERATELY to destroy those expectations. That is the price you have to pay to be with me.
If you don't know, then it's all right. There need not be any expectations. If there are no expectations, then you are free. If you expect, then you are in bondage. Choose whatever you want. Expectations are never fulfilled.
Good genre movies are a little bit like trying to write a haiku. There are certain things that you have to do to fulfill the audience's expectations, but inside that, you have complete freedom to talk about whatever you want. Who wants to see a movie about gun violence in America and class? But, if you set it in this terrifying, fun, roller coaster ride of a movie, you can talk about whatever you want. That's been the game that genre movies play, when they do it well.
When I say my work is travel, that's what I'm doing. And part of being biracial and multicultural is I'm always playing with genre and genre expectations. So even if I say I'm doing straight memoir, you'll see that I'm doing weird stuff with the structure. I've got images, I've got lyrics, and I've got journalism. I really try to not get stuck in genre expectations.
People don't want to always see a comedy or an action film. If the film in a particular genre is made well, then it will see its share of success.
I don't think, as an actor, you should define what genre you want to do. Once you do that, you lose the sight to see the film and what its story is all about.
'Rudhramadevi' is a film which falls into a very new genre. It is a historic and biographic genre movie. It should be called a bio epic. I am curious to see how the audiences accept the film.
I think a good director can embrace any genre and it's the kind of thing where you always want to do something different. You always want to challenge yourself.
When you drop your expectations that a person, a situation, a place, or an object should fulfill you, it's easier to be present in this moment because you're no longer looking to the next one. Most people want to get what they want, whereas the secret is to want what you get at this moment.
I always feel that a viewer has an expectation about every moment of the film and where it's going, so if I act against that, I've created a twist. In fact, it becomes a kind of game with the expectations of the viewer. This is the superficial appearance. In the layer beneath, there is a hidden theme.
I really want to do film, but I want to do the right film. The truth for me is that I'm really driven by stories. So there are stories I want to tell, and if it's a good story then I want to do it, whatever genre it is.
We love genre, but in film if you make a genre film it has to all be about the genre. We were excited to be able to tell more complex stories on television.
I think the best actors do both. I think they fulfill what you want them to do, in terms of the vision for the whole piece. And then they always bring something that does surprise you and shock you.
Why would you want to invest with a guy whose thought process says, "If a second layer of fees is good, then let's add a third layer.
I love the horror genre. I consider myself a genre filmmaker. I love genre, but I think there's a certain amount of complacency that comes with watching a genre film; people know what the devices are. They know what the tropes are. They know the conventions.
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