A Quote by Leigh Whannell
It is nice to be validated by audiences and have people come up to you after a screening and tell you that they loved the movie. It never gets old.
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I did a movie a few years back, 'Medicine for Melancholy.' People will come up to me after a set and say, 'I really love that movie. When are you going to do another one?' Or 'I loved you on 'The Daily Show.' Why did you leave?' It's kind of the same as saying, 'I loved you in high school. You should have never left.'
I find that after a screening, people really want to come and tell you what they feel.
The way people are responding to [Moonlight movie] is something we never anticipated. We knew it was good but it is so diverse. The way people are reacting shows me that everyone sees themselves in it. That is groundbreaking. Similarly people come up some older people that it is not their story but are just crying in our arms after a screening. They know what it was like to be bullied or struggled with their own identity trying to figure out who they are. It has really caught people's imaginations.
It's so nice to run into people even now who - if I'm out, a couple of times a week, somebody comes up to me and says, 'I just loved you in '50 First Dates.' That movie is my favorite movie. I just watched it last night.' In my head, I'm always thinking, 'You're kidding me. I never watch anything twice.'
I always tell people that the music industry may be frustrating sometimes, but the singing never gets old. It's something I grew up doing, and I take the bitter with the sweet.
This never gets old, and when it does, I'll go do a movie. I like the fact that I can get into other projects because everything feels fresh when I come back to music.
Views are overrated; it's light that counts. I have an apartment in Miami's South Beach, and I get tired of looking at the ocean. Even that view gets old after a while. Sunlight streaming into a room - it never gets old.
My American audiences are pretty mixed. I get all sorts of people, old and young. It's nice.
If your goal is to be the biggest movie star in the world, a 10-movie contract is gold. It was never my goal. Up until now, I made movies - and I have a nice house, a nice car. I'm fortunate, happy and grateful. Life is good.
When you put a movie together, you're continually screening it for yourself and you're screening it for other people. It's like a video game power meter. When the power bar starts going down, you've gotta look at what's going on.
I grew up a big fan of the J. R. Ewing character of the 'Dallas' TV show, and I grew up around people who were very similar to J. R.: they had come into a ton of money. And they loved to flaunt it and loved to drive fancy cars and wear the big cowboy hats and nice suits.
People who teach you cram old ideas, old views, old ways, into you. Like covering plants with layer after layer of old earth; it's no wonder the poor things so rarely come up fresh and green.
I liked George Weiss when he was with the Yankees. He loved the Old Timers' Day. He loved it. And he invited all these people to come, all these players to come.
How often do you get a movie where the coolest character has your own real last name? I played Bob Morales as a cross between my own father - the passion, the fury - and the real Bob Morales. I loved that movie. People, kids always come up to me and tell me how much they still love 'La Bamba.'
Mickey's a nice fellow who never does anyone any harm, who gets into scrapes through no fault of his own but always manages to come up grinning.
I don't really get philosophical, but I believe that nice people are strong and usually in my horror stories, I don't like to write about the old standard where some rotten guy gets chased by a mean spirit that gets him in the end.I'd rather write about nice people that are menaced from outside by some sort of evil power and who sort of slug it out.
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