A Quote by Leigh Whannell
The good thing with 'Insidious' and 'The Further' is that it's so nebulous, this supernatural world, that it allows you to bend things. There's a lot of room, it's very malleable, like how in the second film we had a lot of time travel.
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I'd love to have written a film and it to be regarded as good. I'd just like to be doing things that are good, really. I think that's all you can aim for. I find it odd when actors say they just want to do films or plays or television. A lot of films aren't very good; a lot of television isn't very good; a lot of plays aren't very good.
I think being attracted to mistakes is one of the things that film can capture in a way that theater can't. Film can capture a moment of spontaneous life that will never be captured again. I like a lot of structure and a lot of lines, but then within that I make room for things to happen that you couldn't have predicted.
I chose the name "Padded Room," because, when I'm in the booth, it would be the padded room. When I'm in the booth, I can say a lot of things and speak about a lot of things that normally I wouldn't be able to speak about to a friend or to family or to a crowd. A lot of times, the things that I say, if you had to categorize it, they would probably call me nuts or crazy. So, you add that aspect of "The Padded Room," which would be almost like an insane asylum.
The final thing the Tea Party had was, they fed into the philosophy that Donald Trump now embodies. So they had a different view of how the world should be governed. And so they had a lot of things that we didn't appreciate going for them as time went by.
I'm a creative person who had a lot of dark time in my life. I can still get to it: I can still go to a relationship or a time when things weren't great. But it's getting further and further from me.
One of the advantages of shooting digitally was that we had a lot of time. When you shoot, even if you do a good performance, it may get lost in the editing room. It's just one more way that a potentially good film might go astray.
It's very rare to get a film script that has good dialogue. A lot of the time, you spend on film sets really fighting to find out how to say the words.
There were no clippings of Ambedkar. The only thing I had was a two-and-a-half minute film which I saw countless times. Nobody knows how he walked, how he spoke, or how he behaved. I had to conceive all those things in my mind. I had to work a lot on the make-up, too.
No! Not for a second! I immediately began to think how this could have happened. And I realized that the clock was old and was always breaking. That the clock probably stopped some time before and the nurse coming in to the room to record the time of death would have looked at the clock and jotted down the time from that. I never made any supernatural connection, not even for a second. I just wanted to figure out how it happened.
There is a lot of talent and a lot of good things happening and coming from Molenbeek, but unfortunately, it has had to deal with a very, very long time of being ignored, really, and it was very easy, even in the neighbourhood where I grew up, to just fall off the grid, and nobody would notice it.
On occasion, it's rough for me to sleep because I have a lot of things on my mind, so I'll need to get a little more sleep sometimes. I'm up late because I've got a lot of energy and a lot of things on my mind all the time, and I'm up early 'cause I've got things to do, so that's the only thing. That's how I like it; I like to be busy.
I'm not good looking. I'm very strange - a very bony face on an enormous skull, and I don't like to be naked because I don't like how I look naked. And - no, no. I own a lot of my house, because I'm Irish and from people who never owned anything. So I could have a lot more trappings of wealth if every time I had 20 extra dollars I didn't pay off more of the mortgage.
Dance Theatre of Harlem has done a lot of good things well, a lot of good things badly, and a lot of bad things - it doesn't matter how.
I played in Spain, and we also had a very good dressing room, and I won a lot of things. So I think that in my experience of being in dressing rooms, it's so important to have a really good group.
The first thing I did in the studio was to want to tear that camera to pieces. I had to know how that film got into the cutting room, what you did to it in there, how you projected it, how you finally got the picture together, how you made things match. The technical part of pictures is what interested me. Material was the last thing in the world I thought about. You only had to turn me loose on the set and I`d have material in two minutes, because I`d been doing it all my life.
In college, everything's structured. In the NBA, it's like, you have a lot of free time, and you have to use it wisely. A lot of the time, you're in a hotel room all day. And rest is really the most important thing. Then, just trying to enjoy yourself and have fun.
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