A Quote by Leigh Whannell
I think true connectivity is something that is rare in sequels. I mean I love the first 'Die Hard' film; you won't find a bigger 'Die Hard' fan than me. But I feel like with the sequels, they're just taking that character and dropping him in different scenarios. There's no real connective tissue.
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It's always scary when you're doing a sequel to a film, because you don't want to just repeat the first film in a different location like most sequels. You want to do something totally different, and something that actually expands the world of the main character.
The thing I do miss about the way some sequels were in the past was that each film felt like its own unique, complete tone. Now, sequels are tonal facsimiles of the ones before them, like a television series, whereas back in the past sequels would often be radically different from the ones before.
Sequels are hard. What people want is to see the first film again for the first time and that simply isn't possible.
Live Free or Die Hard may work better for an audience that doesn't know much about the series is than it will for Die Hard die hards, who will be wondering who that impersonator is and what he did with the real John McClane. The original Die Hard came out of nowhere to blitz the 1988 summer box office. The fourth installment arrives with a weight of expectations that Atlas would have trouble shouldering and, when the dust settles in September, it's unlikely that Live Free or Die Hard will be one of this year's big success stories.
Most people know me at Pixar as the guy that doesn't like to do sequels or very reluctant to do sequels.
I'm just trying to think what other sequels there were. There was the James Bond movies and not many. I think sequels have become a recent idea of franchising.
My die-hard fans who came out - I call them my die-hard fans because any time a fan pays to see you, they have to love what you're doing, respect the craft.
Believe me, sequels are just as hard to make as original films.
With Die Hard it was just something that I, you know, I grew up with those movies. I made a Die Hard movie with my friends in my backyard during high school. It was terrible.
Do something you like that you feel is important. Don't worry about making money at it right away. If you try hard and long enough you will figure out a way to do it. Better to die happy than die rich.
Me and my comedy writer friends talk a lot about how we love 'Die Hard,' but we'll never be able to write 'Die Hard.'
I was a die-hard fan of these books [The Hobbit] before the films ever came out. And when I say die-hard, I wasn't the person who could speak Elvish, but I really loved them.
I sometimes think about that, when I finish in something big I find it even hard, I feel like I lose an actual noticeable percentage of my reading time. Even on the reader end I find it so hard when a book that I love so much ends, to find the kindness to enter into a new one. Do you know what I'm saying? To find my way in, I feel like even there's that space after. I just love inhabiting a book that hits right.
Actually, 'Die Hard' was the first movie I ever saw in the theater. When I was a newborn, my parents were going stir-crazy in the house, and they put me in the bassinet, and I slept through 'Die Hard' in the theater as an infant.
You know for years before the notion of sequels, actors were the franchise. John Wayne would rarely do sequels, but he kind of played the same guy with a different name in every movie. I have no problem with using actors as franchises. And that's what is fun to do.
Her heart-is given him, with all its love and truth. She would joyfully die with him, or, better than that, die for him. She knows he has failings, but she thinks they have grown up through his being like one cast away, for the want of something to trust in, and care for, and think well of.
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