A Quote by Leigh Whannell
You know you've have a good idea when you're lying awake at night going 'someone else is going to take it, I just know it!'
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When it’s too good, you do it over again. Too good is too easy. If it’s too easy you have to worry. If you’re not lying awake at night worrying about it, the reader isn’t going to, either. I always know that when I get a good night’s sleep, the next day I’m not going to get any work done. Writing a novel is like working on foreign policy. There are problems to be solved. It’s not all inspirational.
They're going to come to me and they're going to say numbers for three years and I'm going to use my division and if it sounds good when I hear it, then I'll take it. But I'm not going to say I'll take less (than the max) . . . Put it this way. I won't take a BMW from somebody when I know I can get a Maybach from somewhere else.
You don't know when you're twenty-three. You don't know what it really means to crawl into someone else's life and stay there. You can't see all the ways you're going to get tangled, how you're going to bond skin to skin. How the idea of separating will feel in five years, in ten - in fifteen. When Georgie thought about divorce now, she imagined lying side by side with Neal on two operating tables while a team of doctors tried to unthread their vascular systems. She didn't know at twenty-three.
You need to know a lot about what's going on, but when it comes to making the work, I take almost an anti-intellectual stance. You've got to be stupid enough, in some ways, to plunge into something that you have no idea what it's about. If you know what you're going to do before you do it, you just end up illustrating an idea.
You must be very patient, very persistent. The world isn't going to shower gold coins on you just because you have a good idea. You're going to have to work like crazy to bring that idea to the attention of people. They're not going to buy it unless they know about it.
You just want someone that you're going to get on with. That is genuinely the first priority. Even before how good they are, you want someone that you know you're going to have a laugh with and that the journey is going to be OK between the two of you.
When someone like Steven Soderbergh asks you to do a film you know you're in good hands. You know it's going to be slick, and it's going to be intelligent, and it's going to have a kind of style to it, and I would probably have done anything to be really honest.
If someone's lying about something small, you don't know what else they're lying about. I'm a big girl, I can handle the truth - even if it's not good news.
I'm good at giving up control to people who know where they're going and what they want to do. I can sit in the back of a car and ride cross-country if you know where you're going and you know how to take me there.
I've always liked the idea of memoirs, going into someone else's life, going through someone else's day and getting out of your own head.
It's more fun in a way to do ensemble scenes, where you know your background, you know the scene, but you can't prepare because someone else is going to say something that is going to lead you off
It's more fun in a way to do ensemble scenes, where you know your background, you know the scene, but you can't prepare because someone else is going to say something that is going to lead you off.
As far as I know, I'm not going to the jungle anytime soon. Unless it's one of those shows where you don't know you're going to be on it and they just kidnap you for one night.
I've fully accepted the fact that if I'm going to do a career like this, I have to be willing to take criticism, because it's a part of the job, you know? Any Instagram thing I post, someone's going to say something. I know that. Anything on Twitter, someone's going to judge whatever I do, whatever I say, whatever I look like. I understand that.
I had already just sort of decided okay it's just never going to happen. So when they - when my name was called it was an out of body, you know, just glorious moment. It shouldn't mean that much. But, you know, I'd be lying if I didn't say that it meant the world to know that my peers appreciated what I was doing.
The way I was brought up in improv was that any idea you have is not as good as your partner's idea, so if I see someone else initiating at the same time I am, I just defer to them because I assume their idea is going be better. And hopefully, they're doing the same with me.
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