A Quote by Leigh Whannell
A lot of the fear about being a first-time director is just starting with a completely blank slate and thinking: 'Is this going to connect with anybody?'
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I've heard some designers talk about the design process being centred on invention, starting with a blank slate. I admire that and occasionally I'm capable of that, but I have to admit that I really have trouble working with completely open briefs.
I got to college and saw all of my friends going to these other schools and thought, 'You know, college is just a blank slate.' And I had an opportunity to go to different schools, but I chose Brown because it was unique and allowed you to be yourself as an individual and like I said, it's a blank slate.
Every child is simple, just a clean slate. Then the parents start writing on his slate - what he has to become. Then the teachers, the priests, the leaders - they all go on emphasizing that you have to become somebody; otherwise, you have wasted your life. Just the opposite is the case. You are a being. You need not become anybody else. That is the meaning of simplicity: remaining at ease with one's being, and not going on any track of becoming - which is unending.
The writing process is the time where nothing's been set in stone. It's a blank slate, or a blank page.
To love shoes is to love problems. Every season, starting a new collection is my greatest challenge. The blank slate in front of me, starting the process all over again, there is no greater challenge.
I wasn't thinking about history. I was thinking about how we were going to end segregation at lunch counters in Atlanta, Georgia.We would have never thought about making history, we just thought: Here is our chance to get out our sense of rejection at this kind of racial discrimination. I don't know that there was a time that anybody growing up in the South wasn't enraged about being segregated and being discriminated against.
You can sit in front of a computer and have a blank slate and be completely overwhelmed by the possibilities and not get anywhere.
Every time I go in front of the camera, I have this fear of 'Oh my God, how am I going to tackle this? The director is going to say 'action' and I'm going to just keep standing there; I won't know what to do.' That's a constant fear I have as an actor.
My mind is changing all the time. I can't live in a space that has a fixed aesthetic. I just need a blank slate when I come home.
It's a beautiful book [Into the Forest], so for those who are thinking about reading it, they absolutely should. First and foremost, I just devoured it, as a story. At that time, and still, it just encompassed a lot of things that I was thinking about, and that the world is thinking about, with society's relationship to the environment, our personal relationship to it, and how disconnected we are from it, myself included.
We made 'Mickey and the Bear' with barely any money with a first-time director, a first-time director of photography, and a crew who had just graduated from NYU film school. We were all very much in this together for the first time. There's no famous actor or big explosions. It's not a Marvel movie. I thought nobody was going to see this film.
A lot of it is mental - you have to not fear your opponent. That's the number one thing, first off. Don't underestimate anybody, but don't fear anybody.
As a composer, every project begins with either a blank sequence or a blank manuscript and for the first couple of days you cover and experience every emotion under the sun. Fear being the main one.
I'm starting to think about my life, thinking about where I'm going to be in three years time: who I'm going to be with, where I'm going to be situated myself.
People are now starting to explain the Cold War. Even in the crises at that time the survival of millions of people was at stake. And we (the USA) had to threaten the other super power with retaliation to prevent it from doing something to us. Today we live in a world in which a lot of things are in flux. That creates a lot of fear. But it is also a time of great opportunity. And I would call on today's statesmen to not allow their thinking to be directed by fear.
When I'm doing my best is when I'm completely focused... You completely wipe off any thoughts of the future, there's nothing going on in the past, you're just completely locked in on the moment, and there's no thinking, you're zoned in on this moment in time.
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