A Quote by Leigh Whannell

I do try and keep my scripts quite economical. — © Leigh Whannell
I do try and keep my scripts quite economical.
The scripts of 'The Wire' are fantastic - the scripts of 'Breaking Bad,' the scripts of 'Mad Men,' the scripts of 'The Sopranos,' the scripts of 'Battlestar Galactica.' You could keep going on. They're incredibly well written.
I do try to look at scripts and keep an eye out for challenging roles.
No, I didn't quite know to what extent the football might be, but it was quite a bonus for me to try to learn new skills and to keep fit at the same time.
All those words of praise they use for novels - spare, economical. Why should I shell out £17 for economical?
I always try to pick up interesting scripts, and thankfully, I have been lucky to get scripts like 'Pyaar Ka Punchnama,' 'Akash Vaani', and 'Sonu Ke Titu Ki Sweety.'
There is a period of tapering when we're not in the gym quite as long to try to save our bodies, but leading up to the competition we try to keep things similar to the rest of the year.
I want to aspire to something like what Denzel Washington does, which is try to find scripts written for white actors - or Jodie Foster, who reads scripts for male actors.
I try to dress smooth, I try to keep my face shaved, I try to keep my head cut. I try to do all the things to keep it smooth going!
I try to read everything that's sent me - play scripts, movie scripts - but I've had to make a rule. If the author hasn't grabbed me by Page 25, the piece goes back with a note of apology.
I talk quite a lot in the changing room, try and joke around, keep the energy going, try to lift guys if they are struggling, even if I am struggling.
I didn't want to be seen as just a guy on a list. I'm interested in good scripts, scripts that are about something, scripts that move your acting along.
I try to keep my sentences quite pared back. What I really want to do is observe people's relationships and interactions. I don't want language to get in the way of that. It's quite a difficult process to achieve that, for the language to feel clear.
I try to keep myself busy creatively; it's for my own sanity after auditioning in the city for bad television shows and bad scripts and not being a name and having the clout to get my tapes passed on further.
My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me.
When I started, the scripts weren't as good, and you'd have to have a huge burst of energy to go, "Sheesh, how am I going to? This stuff's no good." So you'd have to improvise something or create something or try to work with the ware and try to figure out, how do you make this visually and orally acceptable, entertaining? Nowadays, the scripts are just so much better, that you don't have to feel that way. You feel like the script's coming to you, you can just relax. You don't have to drive the boat.
We lack good film scriptwriters. People like Anjan Chowdhury who could develop scripts of pure entertainers are quite difficult to find now. There are obviously some exceptions like Padmanabha Dasgupta. But how many scripts can one single Padmanabha Dasgupta churn out!
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