A Quote by Leigh Whannell
Somewhere in the '80s during the home video era something happened and horror started getting more and more marginalized and thought of as schlock.
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I was into fantasy more than horror. I was growing up in the mid-'70s through the '80s, and I also got a healthy dose of that classic era of film.
A lot of the main audience thinks video game-based movies are always horror movies but it's totally not true. In video games you have adventure, sci-fi, horror, action and even comedy. I think that people should accept more that video games are kind of like the best-selling books of the new generation.
Jazz stopped being creative in the early '80s. After your acoustic era, where you had the likes of the Miles Davis Quintet, when it gets to the '70s it started being jazz fusion where you had more electronic stuff happening, then in the '80s they started trying to bring back the acoustic stuff, like Branford Marsalis and the Wynton Marsalis & Eric Clapton sextet. It started dying down from there. Miles was still around in the '80s and he was still being creative; he was playing Michael Jackson songs and changing sounds, but a lot of people were still trying to regurgitate the old stuff.
There is one school of thought that says Mayors should cut ribbons, be funny and be a buffoon. The other school of thought is that we can do more. Scotland is getting more powers. Wales is getting more powers. Greater Manchester. London needs more powers.
I don't think when I started off that I was expecting to become so specialized, but what happened is that when my career started, I didn't pick my first film. I was picked to do it, and it happened to be a horror film.
I grew up on all sorts of horror - Hammer Horror and Vincent Price's 'Theatre Of Blood.' I loved the hidden, scary layers, but there wasn't that much around for youngsters in terms of horror books. I can remember reading Stephen King's 'Salem's Lot' and 'Cujo,' but I thought there should be more for teenaged horror fans.
I just love writing. It's magical, it's somewhere else to go, it's somewhere much more dreadful, somewhere much more exciting. Somewhere I feel I belong, possibly more than in the so-called real world.
With Fountains of Wayne, after 'Stacy's Mom' happened, we started making a little bit more money and getting a little bit more known.
Everything is this distorted mishmash of pop culture that pulls from this era and that era and is just thrown at the wall. These people have no clue what anything really means. There are guys out there getting a million hits for a video.
It was seventh grade or something like that when we started falling in love with stuff like Sam Raimi and Wes Craven and John Carpenter. Also, our filmmaking skills were getting a little more polished, so we thought we could actually make something that was not funny.
Video games are so popular these days, getting the opportunity to star in one is something special. More people should do it.
If more stories are told about marginalized communities, subcultures, and minorities, the less marginalized they will be.
Horror movies often work better when we have a stake in the game. The more we care about the characters, the more human they are to us, the more appealing they are to us and the more effective the horror tends to be.
Around 2008 when the writers' strike happened, all my stuff was getting stuck in development, and I thought, 'I'm going to try my hand at horror because I always loved it as a kid.'
I set out to do a horror film with 'Dog Soldiers,' and what I came out with at the end of the day was something that was more of a cult movie, more of a black comedy with some horror elements in it. It kind of went over the top.
When I was talking a lot of trash, a lot of the guys knew that when I started getting serious was when I started getting a little bit quieter. If I started locking up somebody, then I'd start talking even more and I'd talk more aggressive. But once I stopped, they knew I was really serious.
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