A Quote by Leigh Whannell

I wasn't a frustrated writer who really wanted to act or a frustrated writer who really wanted to direct. I was really happy writing screenplays, and there's a lot of people who just do that - they're screenwriters.
All I've wanted to do is write. In school I just wanted to be a writer but I was afraid to be a writer because I felt I couldn't. It didn't really feel like my writing was interesting enough, so getting a book published was a huge kick.
I aspired to be a writer and then I just started getting acting work. I really didn't have a direct goal, I just knew I wanted to be in this industry telling stories and doing this for a job. I thought my path was going to be as a writer, but I'm pretty happy doing it as an actor.
I would always get a lot of work as a writer, but that wasn't what I wanted to be. For me, I was only doing half of what I really wanted to do - write and direct.
My father was a frustrated writer. I think he wanted to write the great American novel.
I'm just like so many women - I was frustrated, I had these white pants that I had spent a lot of money on, and you get home and you think, 'What am I really supposed to wear under this?' So it was a frustrated consumer moment.
I never really wanted to be a journalist, honestly. I always wanted to be a writer, and I thought the only way to apply that interest was with journalism - when you're young and you want to be a writer, it seems like the most practical thing to do with those types of ambitions.
If I really considered myself a writer, I wouldn't be writing screenplays. I'd be writing novels.
Well, you just know, as a writer, I didn't really write one of the five best screenplays of the year. There were lots of brilliant screenplays; I was just one of the lucky ones who got nominated.
I want to direct in Denmark. I married a writer; my best friend's a writer, so I always wanted to be a writer.
I never had a moment of wanting to be a writer. I wanted to be an actress, but writing was just a thing I always did. And then I started to really enjoy it.
I wasn't a kid who wanted to be a writer. I wanted to be a doctor. I was kind of morbid. I was really into the body and how it could go wrong. I wanted to dig up bodies from the graveyard.
But, somewhere in there, I did have the thought that this really fits in with my thinking about what I wanted to do; with what has to be done by a writer in order to stay alive as a writer.
I knew very early on I wanted to be a television writer. My teachers told me I was a strong writer and had a voice. I really leaned in to that.
Just write. If you have to make a choice, if you say, 'Oh well, I'm going to put the writing away until my children are grown,' then you don't really want to be a writer. If you want to be a writer, you do your writing... If you don't do it, you probably don't want to be a writer, you just want to have written and be famous—which is very different.
I was a frustrated musician, frustrated designer, frustrated art director, frustrated novelist, right. I'd fail at all these different professions.
I really just wanted to be a writer, but people tell you, 'You should have a backup career,' so I thought, 'OK, I'll act.' That was the foolishness of my vision for my life - that my backup career would be completely undependable.
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