A Quote by Leigh Whannell

You can't compare David Cronenberg's 'The Fly' to the older version. — © Leigh Whannell
You can't compare David Cronenberg's 'The Fly' to the older version.
I would compare my 'Frankenstein' to Cronenberg's remake of 'The Fly.' The monster in the original Fifties version of 'The Fly' was a crude, anatomical combination of man and insect, whereas Cronenberg's version exploited knowledge of DNA to depict him as a transgenic chimera.
Sometimes I go, 'Wow, this is a director I really, really want to work with,' like David Cronenberg. I haunted David Cronenberg for years before, and then he offered me a role.
I suppose a good director is like a teacher. I think that someone like David Cronenberg was very much like a teacher, because there's an openness, but a certain set of rules of behavior, and a certain conduct expected. But there's an atmosphere that's relaxed and conducive to exploration, and that is created by someone like Cronenberg.
David Cronenberg knows what we actors do as artists.
If anyone is tweeting right now, I'm not pulling a knife on David Cronenberg!
I like being a part of David Cronenberg’s world, I feel very at home there
When I was preparing for the film for tree weeks, with David Cronenberg, I had a lady friend come over.
David Cronenberg is the most provocative, original, and consistently excellent North American director of his generation.
I love what many of my contemporaries are doing, especially people like Terry Gilliam, David Cronenberg, P. T. Anderson, and Alfonso Cuaron.
I like a twisted sense of humour. On 'A History of Violence,' David Cronenberg and I would be doing the grimmest scenes and laugh a lot.
It was a very critical moment for me when I began working with David Cronenberg and seeing this amazing director and creator choose to base himself out of Toronto.
I did the David Cronenberg film, A History of Violence, with Viggo Mortensen and I played a real sociopath. For the next seven years, I played the psycho-of-the-week.
I think film is a director's medium and the good filmmakers that I like tell the darker stories. Therefore, I'm always inclined to follow people like David Cronenberg.
I've been obsessed with David Letterman forever, and I'd love to be the drag version of David Letterman.
'Kiss Land' wasn't about what people wanted to hear on the radio. It was the state of mind I was in - introverted, like David Cronenberg's 'Naked Lunch.' You didn't know if you were hearing a chorus or a verse. It was just my thoughts.
David Cronenberg's 'Maps to the Stars' is a Hollywood monster movie in which Hollywood is the monster.
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