A Quote by Leila Janah

Migration is the story of my life: my parents and grandparents journeyed across four continents to flee war and find jobs, eventually finding their way to the U.S. — © Leila Janah
Migration is the story of my life: my parents and grandparents journeyed across four continents to flee war and find jobs, eventually finding their way to the U.S.
Migration is as natural as breathing, as eating, as sleeping. It is part of life, part of nature. So we have to find a way of establishing a proper kind of scenario for modern migration to exist. And when I say 'we,' I mean the world. We need to find ways of making that migration not forced.
We (The British) have not journeyed across the centuries, across the oceans, across the mountains, across the prairies, because we are made of sugar candy.
If you apologize to me, I look at it as an insult because my parents, my grandparents, my great-grandparents, like every other culture out there, did exactly what they needed to do. They worked hard, and they became part of the American way, and they earned the respect of Americans across the board. We need to do the same.
I really look to past generations. I think my grandparents, friends' grandparents, or even parents of my older friends grew up in a time when they used everything. There was a more mindful way of moving through life. You didn't waste.
The presence of a grandparent confirms that parents were, indeed, little once, too, and that people who are little can grow to be big, can become parents, and one day even have grandchildren of their own. So often we think of grandparents as belonging to the past; but in this important way, grandparents, for young children, belong to the future.
Much of the message that I try to put across to students is that they have to figure out what they really like to do and find a way to do that as an adult for their jobs. A lot of people have jobs they don't like, and it makes for very unhappy people. So I tell them if you like to write, or run around, or dig in the dirt, then find a job that will allow you to do that, and you'll be happy.
The best baby-sitters, of course, are the baby’s grandparents. You feel completely comfortable entrusting your baby to them for long periods, which is why most grandparents flee to Florida.
Long after this wonderful event in the Earth's history, when the human species was spread over a good deal of Asia, Europe, and Africa, migration to the American continents began in attempts to find new feeding grounds and unoccupied areas for hunting and fishing.
You have to look at the reality in Syria. Whenever we liberate any city or village from the terrorists, the civilians will go back to the city, while they flee that city when the terrorists attack that area, the opposite. So, they flee, first of all, the war itself; they flee the area under the control of the terrorists, they flee the difficult situation because of the embargo by the West on Syria.
And I feel like, as a black man within black culture, I know very well firsthand - as do my parents and my grandparents and great-grandparents - we're used to things not going our way.
I like traveling and I like not being part of the film world. Especially when you're in the middle of a junket, you're thinking, "I'm not doing this again for four years!"That's about taking time and finding the right story and being in a happy place in life where you can joyfully tell a story. I'm not really into the fame side of things, so I'm very happy with making a film every four years or so.
I am not against migration. It is simply pragmatic to restrict migration, while at the same time encouraging integration and fighting discrimination. I support the idea of the free movement of goods, people, money and jobs in Europe.
Many people, they flee not the war itself, but the consequences of the war, because they want to live, they want to have the basic needs for their livelihood, they don't have it. They have to flee these circumstances, not necessarily the security situation itself. So, you have different reasons for the people or the refugees to leave Syria.
When you're editing, you're putting it together in a way that makes sense metaphysically. You're not inventing it, but you're finding the story that's there. You're making a play that's eventually going to go on stage and present itself to an audience. You want to show what happened, not exactly what you have evidence of happening.
Your work is to find healing. And I find, for me, it's a little bit at a time, and eventually it's barely there. And the journey is finding what works for you and doing it.
The way one approaches a wilderness story is to fashion a quest - find something that you are truly interested in finding or discovering.
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