A Quote by Lembit Opik
I don't want to be awkward, but I've thought about this a lot, and all I want to say is in the statement. Me going out with Gabby from the Cheeky Girls is not a secret.
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I thought a lot of girls wanna have their secret identity and have something they don't want to tell people about.
I don't do chat-up lines. Girls often tell me I'm cheeky. Being cheeky seems to work OK for me.
I think that when you're an actress, you have to think about what kind of a role model you're going to be. I hope that I'm a good role model for young girls. I'm not going to, if people still want me in their movies, I don't want to be one of these girls who goes around partying every night and is in rehab. I don't want to do that.
When you're young, you want to do everything. You want to go out and find girls; you want to have a drink - there are a lot of things you want to do. But if you want to make it to the top, there are a lot of things you can't do.
But most hearts say, I want, I want, I want, I want. My heart is more duplicitous, though no twin as I once thought. It says, I want, I don't want, I want, and then a pause. It forces me to listen.
So . . . middle school? Awkward.Having a hobby that's different from everyone else's? Awkward. Singing the national anthem on weekends instead of going to sleepovers? More awkward. Braces? Awkward. Gain a lot of weight before you hit the growth spurt? Awkward. Frizzy hair, don't embrace the curls yet? Awkward. Try to straighten it? Awkward!So many phases!
Well, here's my feeling about shtick. I think sometimes if you don't have it going on too much, you're probably feeling insecure and then you want to add on the shtick. I would say, oh, like Kiss. You try to stand out from the crowd, you're going for a bold statement, you're going for a high concept.
To me, what is important in the theater is that we don't want to make a conclusion. We don't want to make a statement, don't want to say what something is. We want to ask, 'What is it?'
If I'm shopping at the Gap or Old Navy, I'm saying that I'm an ordinary person: I don't want to be seen; I don't want to stand out. That's a statement. If I'm wearing a leather jacket, there's something about me that's kind of a rebel. So everybody says something, whether they want to or not.
Like a lot of young women, I went through an entire period where I hated female characters - I didn't want to read about them! I thought I was going to be the cool girl who was not like other girls.
For me, success isn't even about money. It's about getting to do what you love and supporting yourself. Everything that comes after that is bonus, unless your only goal is to be rich. If that's your goal, you're going to find out that once you have a little bit, you want a lot. Then once you have a lot, you want a lot more.
I have been so blessed not only to talk about things that I want to talk about in my industry, but also to have a platform - and people want to hear about it. People want the change; people want the difference; people want to know what's going on. People want to see themselves in the industry that for so long has ostracized girls of my size.
I'm not thinking about forcing my kids to watch my movies. It's always awkward when someone says: "Hey, I wrote a song, can I play it for you?" That would be the dynamic, if I was like: "Hey, you're my son, watch my work!" I don't want to put them in that awkward position. Just because when they get older, that's when I'm worried, that they'll judge me and say: "Yeah, my father's ******* Jack Black. He was in that cheesy movie." So, I'm going to keep it all high quality. It'll be a quality controller.
I got a manager, and I thought, since I was going out on auditions, I should do this for a living. Then there was this moment on set when I realized I was having a lot of fun, and I really wanted to do this forever. I want to do different stuff, but I want it all to be just as good as this film. I want to be consistent.
I would say plotting is the most difficult thing for me. Characterization is only hard because sometimes I feel I get so interested in it that I want to talk too much about the characters and that slows the story down. So I say, "Hey, people want to find out what's going to happen next, they don't want to listen to you spout off about this or that person." But I think even the bad guy deserves to tell his side of the story.
The older I get, for me it's about fear. If I read something and it scares the hell out of me, that's what I want to do. If it's a challenge and a massive risk and I'm going out on a limb ... those are the ones I want. And they are few and far between. I don't work very much because I'm very specific about what I want to do.
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