A Quote by Len Deighton

The factory workers say that it's impossible to do anything right. If you arrive five minutes early you are a saboteur; if you arrive five minutes late you are betraying socialism; if you arrive on time they say, Where did you get the watch?
Rather than arriving five hours late and flustered, it would be better all around if he were to arrive five hours and a few extra minutes late, but triumphantly in command.
I knew I could always work harder and be better and show I'm more prepared. I had a whole science to, like, how you have to arrive 17 minutes early to something. If you're 20 minutes early, that means you're too eager, but 17 minutes gives you time to, like, settle, sign in, use the ladies' room, have some water, and get comfortable.
And you know what people immediately start looking for, five minutes after they arrive someplace new? You know what's on their minds? I'll tell you: How are they gonna get laid, and where are they gonna find some mind-altering substances.
If you are five minutes early, you are already ten minutes late.
Good candidates can arrive at the binary search tree as the right path in a few minutes, and then take 10-15 minutes working through the rest of the problem and the other roadblocks I toss out. But occasionally I get a candidate who 'intuitively understands' trees and can visualize the problem I'm presenting.
Before I do a play I say that I hope it's going to be for as short a time as possible but, once you do it, it is a paradoxical pleasure. One evening out of two there are five minutes of a miracle and for those five minutes you want to do it again and again. It's like a drug.
The experience of being in between-between the time we leave home and arrive? at our destination; between the time we leave adolescence and arrive at adulthood; between the time we leave doubt and arrive at faith. It is like the time when a trapeze artist lets go the bars and hangs in midair, ready to catch another support: it is a time of danger, of expectation, of uncertainty, of excitement, or extraordinary aliveness.
As an actor, you arrive most of the time at the last minute. You arrive at the end of the process, but you don't realize it.
I rarely feel the desire to reread a scene the day before the shooting. Sometimes I arrive at the place where the work is to be done and I do not even know what I am going to shoot. This is the system I prefer: to arrive at the moment when shooting is about to begin, absolutely unprepared, virgin. I often ask to be left alone on the spot for fifteen minutes or half an hour and I let my thoughts wander freely.
I have makeup that I can do in 15 minutes, 10 minutes, or five minutes, depending on what I'm doing that day. On a day when I'm shooting, it's 15 minutes. Five minutes is when I'm running around that day, and it's no big deal.
The first dance we did for 'Ain't Misbehavin' was five minutes and I was like, 'What? Five minutes!'
People are going to be way more patient listening to what I have to say now. I don't have five seconds to get their attention, I have five minutes. That's a huge window.
If, in New York, you arrive late for an appointment, say, "I took a taxi".
People perceive me as a commodity. They just don't think anything of asking for five minutes of my time. It never occurs to them that if they're asking for it and another thousand people are asking, I don't have 1,000 five minutes to give.
Amy: "Can I come?" Doctor: "Not safe in here, not yet. Five minutes. Give me five minutes and I'll be right back." Amy: "People always say that." Doctor: "Am I people?...Do I even look like people?...Trust me, I'm the Doctor.
When the technique doesn't arrive at the best level, arrive with your heart, with head, with enthusiasm, with passion, with work.
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