A Quote by Lena Horne
I was unique in that I was a kind of black that white people could accept. I was their daydream. I had the worst kind of acceptance because it was never for how great I was or what I contributed. It was because of the way I looked.
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It's not that kind of love. It's the real kind. The unconditional kind. The nonjudgemental kind. Not the physical kind. I love you as a fellow soul who inhabits this earth. I love you as a fellow immortal. I love you because I finally understand what made you the way you are. And if I could change it, I would. But I can't—so I choose to love you instead. And my hope is that my acceptance of you will spur you to do something good too, but if not—" I shrug. "At least I can say I tried.
White people couldn't do black music back in the day because they weren't funky or bad enough. They weren't from the ghettoes, but hip-hop and R&B changed all of that because white kids want to be down with it. They wanted to learn it so they studied the culture. It's kind of a cool thing because we shouldn't be so separate.
I hated, when I was a kid, being told that 'Black people don't do that.' And the white kids at school didn't accept me because I was black, and the black kids in my neighborhood didn't accept me because they thought I thought I was white.
Unfortunately, as I tell my white friends, we, as black people, we're never going to be successful - not because of you white people but because of other black people. When you're black, you have to deal with so much crap in your life from other black people.
Because Ragen is kind hearted and strong at the same time, and I know how rare that kind of man is. Because I never doubted that he loved me, and would come back. But most of all, because the moments I had with him were worth all the ones apart.
Black and white is so familiar. It's how we see the printed word in books, so it's kind of neutral in a way. Yet it's ironic that black and white is so charged socially, what with its association with race.
Um, yeah, it's one of the things that you kind of have to accept at the very beginning, like I'm not going to try and be super [deep?] factor and no, I can only do it this way, because that's just not how this film's going to work. Like it's got to be sort of a mesh of reality and complete unreality and you kind of have to accept that and go with it.
Unfortunately, as I tell my white friends, we as black people, we're never going to be successful not because of you white people but because of other black people.
Maybe divisions like that are easy for people to accept, because then you don't have to make an effort to understand people or appreciate each of them. You just give them a general name: "black people" and "white people." "Tall people" and "short people." "Man" and "woman." But we have to forget about all those terms. Every individual is unique in herself or himself.
People see a 'South Park' episode, and there's racially insensitive jokes - nobody bats an eye because they're expecting that in that context. In hip-hop, they don't expect that kind of thing because it's a white person in a predominantly black world.
It kind of makes me wish that the worst thing that will ever happen to me would just hurry up and happen already. That way I could live the rest of my life in bliss, if only because I know how much worse things could be.
It's funny - I was a big fan of 'The Sopranos.' It became kind of a threat to 'The X-Files' in a way because they could play with language, character, and story in ways that we never could because of the limitations of network television.
I would say I'm black because my parents said I'm black. I'm black because my mother's black. I'm black because I grew up in a family of all black people. I knew I was black because I grew up in an all-white neighborhood. And my parents, as part of their protective mechanisms that they were going to give to us, made it very clear what we were.
Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way.
So when it came to role models, I looked at presidents' wives. Of course, you're talking about a farm girl who stood in the fields, dreaming, years ago, wishing she was that kind of person. But if I had been that kind of person, do you think I could sing with the emotions I do? You sing with those emotions because you've had pain in your heart.
'Daydream' brought us to the top of the heap of the indie-college market and recognition by all of our peers; 'Daydream' kind of capped off everything we set out to do when we started as a band, in terms of, like, wow, wouldn't it be great to make a record that a lot of people liked and listened to?
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