A Quote by Lenny Abrahamson

Shooting 'Adam & Paul' was very tough. There was barely enough time, and the budget was tiny. On top of that, we shot in dangerous locations where we had little or no control or security.
I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.
When you're shooting super-low-budget - we had 20 days to shoot 'Diary,' and a little over $2 - time is money.
I've shot films in locations that have seemed haunted. I shot a film in a maximum-security prison in Russia. Part of it was on a psychiatric ward - there were definitely some creepy vibes there.
I've directed bits of action and so I know that it's long and it's very detailed. Editing action is a good deal more exciting than shooting action. Shooting action is very, very meticulous, it's increments, tiny little pieces.
You have to keep shooting, even on tough shooting nights. You have to believe the next shot is going in.
There are some filmmakers like the Coen brothers that are very precise. They make shooting boards, they do it shot by shot, and they follow every single line in their own script. They make amazing movies, and I admire them so much, but I can't do that. I have no idea how the movie will exactly be. While shooting, I just try to create an accident that I don't control very well - grabbing things from different sources and ideas, and then having a sensation somewhere that it will make sense.
The major difference between the big shot and the little shot is the big shot is just a little shot who kept on shooting.
Shooting action is very, very meticulous, it's increments, tiny little pieces.
I'd like [Santa Claus] to give Wes Anderson, the director, enough money in his next budget for an aerial shot - just a little copter shot. He really wanted this one helicopter shot, and Disney wouldn't give him the money. Just wouldn't give him the money. Every day, he was talking to the studio about this helicopter shot.
I like shooting locations just because too much control on the stage can be a bad thing.
If you're doing movies on a set... many times, I've shot the end of a movie in the first week of shooting. Because of locations or budgets or actors' availability.
That shot in "Into the Inferno" somehow popped up while my editor and I were viewing the footage. I immediately said, "That looks like the opening shot because the camera approaches the action very slowly and we have enough time to insert some of the main credits into it." So it was a practical choice. At the same time, you see these tiny figures standing at the rim of something, and all of a sudden, the camera rises further and you find yourself looking straight down into an inferno.
Thimerosol is the preservative in immunisation shots, so anytime you get an immunisation shot you are undergoing the same procedure that in the University Lab we used to give animals auto-immune disease---give a little tiny injection of mercury. And when you get an immunisation shot you are getting a little tiny dose of mercury there.
The things that are the hardest are the things that are due the quickest. The more time you have the easier it is to come up with things and navigate. I think the other things that are tough are films that are very, very subtle. Where there are little tiny nuances that make a big difference.
Indian film industry has shot films all over the world and we get a lot of benefits and facilities while shooting our films in foreign locations.
The hard part is staying at the top. Getting to the top, you got somebody you shooting at. Then when you get to the top, now people shooting at you.
This site uses cookies to ensure you get the best experience. More info...
Got it!