A Quote by Lenny Abrahamson
For me, I always think of the image of sweeping out my footprints as I walk through a scene.
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As you walk through the valley of the unknown, you will find the footprints of Jesus both in front of you and beside you.
A lot of rappers don't have to go through what I had to go through as a singer. I was always in a bubble that they put me in, but I was always punching out. It was a tough line to walk.
I think of myself as a fairly decent human being and it gives me great pain to be considered for all the mean S.O.B.s that come along. I've played bird decapitators, puppy stranglers, woman beaters, wife poisoners, child molesters - every goddamn thing you can think of. It was quite scene there for a while. But I think the image is changing...I hope to God the old image is fading from people's minds.
My degree was in sculpture. I always think that drawing is a sculptural process. I always feel like I'm carving the image out rather than painting the image. I'm carving it out with erasers and tools like that. I've always had this fondness for sculpture.
I think that you have to present an image that is... true to you, and... the way you would like to be perceived, so I think that through the years I've worked really hard at trying to create an image that is true to me.
When I was a kid I thought I saw a ghost in the forest when I was on a bush walk, like a walk through the forest. I saw something weird pass from one side of the track to the other, and it was sort of a white, blurry... it's hard to describe, really, something that was almost see-through but it just moved in front of me. It was definitely something you could tell was there, and it really freaked me out. I think I was probably 10, and I ran all the way home.
When you walk through the storm, hold your head high And don't be afraid of the dark! At the end of the storm is a golden sky And the sweet song of the lark. Walk on through the wind Walk on through the rain Though your dreams be tossed & blown Walk on, walk on, with hope in your heart And you'll never walk alone!
Before getting to my mother's house, I would always think of her on the porch or even on the street, sweeping. She had a light way of sweeping, as if removing the dirt were not as important as moving the broom over the ground. Her way of sweeping was symbolic; so airy, so fragile, with a broom she tried to sweep away all the horrors, all the loneliness, all the misery that had accompanied her all her life.
I do admit to being challenging, but it's always for the work, it's never personal. I will walk out on a scene if it's all lit and ready to go but it's not happening.
Doubt is a precipice on the way to God. Blessed is he who is freed from its bonds. He who fares without any doubt, adhere to his footprints if you do not know the way. Cleave to the footprints of the deer and advance with care that you may reach the musk-gland. By means of such trekking, even if you walk on fire, you will reach the luminous peak.
It's always easy, I think, to raise the importance of a scene through the addition of music. But it's very awkward to end it unless there's a door slam or a gunshot or something that just takes you right out of it.
For me, the key image is the boat coming through the fog at the beginning. It's something I imagined and liked and I guess there are other references in other films I make - the similar type of image. But I think it's interesting, it's breaking through the mystery, or maybe it stays in the fog... we don't really know. Where is he at the beginning of the film, who is he?
I feel like we are so much more comfortable sweeping things under the rug and putting on a brave face, and to me, sweeping under the rug is a coward move, not a brave move at all. I want to get out there and have a conversation.
Life has left her footprints on my forehead. But I have become a child again this morning. The smile, seen through leaves and flowers, is back to smooth away the wrinkles, as the rains wipe away footprints on the beach. Again a cycle of birth and death begins.
It is always a nice feeling when you are challenged by a scene and you walk out of trailer and you go on set going I don't know. And then half an hour later you're walking back.
David Lynch's 'Fire Walk With Me' has a scene in it that scared me so bad that I don't remember it. I blocked the memory out - repeatedly! I've seen the film two or three times, and I can never remember what it is that scares me.
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