A Quote by Lenny Abrahamson
When I'm shooting, it averages out at a 16-hour day. You have two deadlines everyday - lunch and wrap.
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I was working, like, 14-hour days on 'Fargo,' and now if I schedule more than two things in a day, I'm like, 'Whoa, you guys. That's two train rides, and I have to plan for an hour-and-a-half lunch with my cat.'
Training not only anchors my day but also allows me to tap into endless energy and intensity. Whether I was performing at Wrestlemania or shooting a 16 hour day on a movie set, training allows the floodgates to open. It carries me through the rest of the day and night.
You can't have a relationship when you're shooting a 14-hour day and your husband is shooting a 14-hour day in the same city. It's a time thing and it's a together thing.
But the idea behind French hours is that instead of doing a 12 and a half or 13-hour day with a lunch break in the middle, you do a 10-hour straight day. Everyone kind of eats food throughout the day anyway on the set.
For a two-hour movie on a 20-day shooting schedule, it's O.K. to have an actor who's a pain in the neck.
I often have 15 to 16 hour days and I have two young children, both with different needs at seven years and 16 months.
Having deadlines helps because people are constantly breathing down my neck, and tapping their toes waiting for pages. So I just have to work nine to five. If I didn't have deadlines then I might be more of a golden hour kind of guy, writing from eight to noon and calling it a day, but that's just not the way I work right now.
Give yourself the gift of uninterrupted time. It can be the first hour of your day. Or the last hour. A lunch hour. You want time free from phone calls, visitors, mail, things to read. Unplug the phone if you have to. Lock your door. Put a sign on it that warns people of the consequences of entering. Do what you have to and watch the results. One hour of uninterrupted time can double a person's productivity for the day.
Almost every day I wrap up my two-hour live broadcast and I say to myself as I'm driving home, 'I wish I would've done this' or 'We really should have gone live longer with this segment.'
Almost every day I wrap up my two-hour live broadcast and I say to myself as I'm driving home, 'I wish I would've done this' or 'We really should have gone live longer with this segment.
On my last day of shooting, I'd be happy to say 'Cut, it's a wrap' and fall off the twig.
One of the biggest things for me was driving two hours to the location everyday, and then having to lug out two carts of equipment alone, and I always had to consider - I was shooting on a beach - I'm like, "Okay, bring out the props first that no one will steal," because I have to leave it unattended for a couple minutes while I grab my second cart of things.
I believe you should find at least two hours of every day to spend doing the things that make you happy and relieve stress. I try to wake up a little early so I have an hour to work out and try to allow at least an hour a day to hang with friends.
When I work, it can be a 16-hour day.
In the build-up to a race I begin practising two days beforehand with two other team members. We have an hour and a half practise run together. Then on the next day we have another practise in two separate hour long sessions. On the actual day of competition we do a warm-up run in the car before the race.
I'm an everyday guy - I'm a try-to-write-at-least-15-minutes-every-day-if-not-an-hour-or-two kind of guy. I write in Google docs so that wherever you go, you have access to it.
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