A Quote by Lenny Abrahamson
Most of my work has been independent movies outside the mainstream system.
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I've been sort of spoiled on the TV end because HBO feels like a small institution making independent movies. There's respect for the director's contribution in a way that mainstream television doesn't really reflect, I don't think.
I think I'm a very American director, but I probably should have been making movies somewhere around 1976. I never left the mainstream of American movies; the American mainstream left me.
A lot of times, mainstream critics are much tougher on small, independent movies because they can be.
Independent documentary isn't beholden to some of the interests that the mainstream media are influenced by. It's a pathway to renegade, independent reporting in an in-depth, investigative fashion, and it can do so with a compassionate lens; it allows people to speak in a way that is more human than the mainstream media approach.
Independent documentary isnt beholden to some of the interests that the mainstream media are influenced by. Its a pathway to renegade, independent reporting in an in-depth, investigative fashion, and it can do so with a compassionate lens; it allows people to speak in a way that is more human than the mainstream media approach.
I was around New York at a time when independent cinema was at its peak and became kind of popular and mainstream. It got some hype, culturally. After that, studios started to have independent companies within their studio system, and they found bigger stars willing to do new material. That's kind of what it's turned into.
Independent horror movies have really stepped up the game, and hopefully mainstream Hollywood will follow suit.
I think, honestly, that the word 'indie' is a false gimmick. 'Independent' used to mean a movie that was financed outside corporate Hollywood, but a lot of what gets called independent these days is totally produced within that system. And there's nothing wrong with that.
Sometimes the characters I find the most compelling are in independent movies. With independent scripts people can take more challenges.
I only pay to take my son to the movies, because most of the time I only watch European movies, independent movies, or screen them privately. But I like to go to movies with my son because it's still fun; it reminds me of why I make movies.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
I think of myself as making independent films within the studio system. Yes, I've made movies with significantly larger budgets, and I've also made movies with smaller budgets.
I've made 30 movies and for the most part my movies work. In a business where success is an exception and not the rule, I've mostly been successful.
The quality of mainstream cinema has changed. A lot of independent voices feel they can leave everything behind and make independent films.
Mainstream Hollywood makes a few good movies a year. And in order to be in one of those, you have to be one of five people. Hollywood makes many bad movies too, which I'm not interested in being a part of. But there are only a few good independent movies a year, and many, many bad ones. I want to be in good movies, and I want people to see them.
Unless you had developed a certain independence of value, a certain independent system of value, a system of values that was independent from this middle-class drive for recognition. This has been my explanation of part of [Martin Luther King] general role. So, he accepted this without too much resistance. In fact, none that I could ever see, and at certain points I was close enough to see something.
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