A Quote by Lenny Abrahamson

The style of direction in 'Room,' maybe a little bit like 'Spotlight,' tries to be hidden. — © Lenny Abrahamson
The style of direction in 'Room,' maybe a little bit like 'Spotlight,' tries to be hidden.
Some guys are afraid of "fashion" even those this isn't really fashion. It's more "style". A lot of guys don't want to look like they care too much. The idea of standing in a fiting room and trying things on and saying, "How does this look?" I think maybe that experience is a little bit intimidating.
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
If I was in a bad mood, then maybe I won't talk about it, but you're going to know about it somehow. If something was bothering me, maybe I would have acted a little bit like a child, meaning I go break something in a room.
There are writers' rooms that will write episodes all together, who will break into little groups and write certain scenes. Everyone's process can be a little bit malleable. Everyone tries to get into a groove or find what works for their room.
I don't know if robots have personalities, but I think maybe we are special robots that are maybe human after all. We try to be a little bit human. Maybe we've managed to put a little bit of emotion.
I'd like to do a little bit more adventurous TV. Maybe Showtime or HBO or just a little bit edgier. But I would go back to NBC, CBS, whatever.
George, she says it's the truth that matters. We live and die for the chance to maybe tell a little bit of the truth, maybe shame the Devil just a little bit before we go.
Everyone tries to decipher what I write as if there's a hidden message and I'm like, 'There's no hidden message.' I don't even put that much energy into things. I wish I did.
[On charity] I try to pick subjects that I can learn about and then focus on and then do as much as I can. If you have a tremendous amount of heat from the spotlight, then you're able to shine a little bit more of your light in a different direction. It's just deflecting. My dad calls it a celebrity credit card that you can cash in. I think if you're in this position you should do it.
If I'm at the University of Georgia and I can't inspire this room full of students, OK, fine. I'm not going to take it personally. Maybe a little bit, but I'll be all right.
If you go into a negotiating room and are like, 'Well I was on the same card as Conor McGregor, so maybe I should get a little bit more money,' they'll probably just look at you like, 'What? In what universe does that even make sense?' So I don't see how anyone could possibly think it's going to be a trickle-down effect.
Some of my favorite style icons are Kate Moss and Rihanna, except I'm a little bit younger. I put a little bit more teenage into it.
Every time you show something to somebody they're going in one direction, when they see that thing you did they're going to go off track - maybe towards a direction that you think is more important. They'll be more discerning, they'll probably see things a little bit more profoundly, they'll spend more time trying to understand what's in front of them.
I think my comedic style is at once bashful and explosive. It's a little bit perverted, and a little bit ladylike and old-fashioned, which is a great mix. Sort of tangy.
A little bit of this, a little bit of that. I never had any specific style.
For better or worse, when you're running for mayor, there's a little bit of a spotlight on you.
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