A Quote by Lenny Abrahamson
I've never worked in the U.K. television industry, but my guess it that it's a tough world for directors.
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I'd worked with directors who wouldn't collaborate. Then I've also worked with directors who didn't really know what they wanted. I knew I didn't want to be either one of those guys - or girls.
Amazon has included me in an opportunity to provide top-shelf television-style programming live on the world's computer screens. To hold forth with the industry's very best actors, directors, musicians, authors - I'm thrilled to be on the cutting edge of this.
I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
When you watch television, you never see people watching television. We love television because it brings us a world in which television does not exist.
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I was coming from a theater background. I had an obsession with classic film and cool, interesting, intelligent television. I didn't really understand the way the mainstream television industry worked. I just thought "The wire is so good that it's going to be a huge hit, and we'll get awards up the yin-yang forever." That's what I thought!
I think that what 'Oz' did is it spawned a great generation of television production. But people know its place in television and just in great dramas. It's the foundation of my career. Most producers, show runners, directors, and casting directors put me in movies based on my performance in that show.
For my job, I act tough. I'm not tough. On the street, I don't go out beating people up and this and that. I used to joke one time on the television station that I never... Everybody that I beat up deserved it. I never beat up an innocent person.
The directors you want to work with are in the television world.
Most Chinese filmmakers grew up watching television; they watched films on television, not in cinemas. The scope of their vision is not big enough, they're not yet detail-oriented enough. You have to watch films in cinemas for years to understand the depth and scope of vision needed in filmmaking. Directors in China usually come from an academic background; they graduate as film directors. Whereas the directors from Hong Kong learn their trade on sets, beginning at the lowest rung.
I've worked with directors who have done it too much, particularly in television, you know, 'okay we got it, let's move on, next setup.' 'Well what about, we could maybe investigate?' 'Mmm... no, let's go.'
A man may be a tough, concentrated, successful moneymaker and never contribute to his country anything more than a horrible example. A manager may be tough and practical, squeezing out, while the going is good, the last ounce of profit and dividend, and may leave behind him an exhausted industry and a legacy of industrial hatred. A tough manager may never look outside his own factory walls or be conscious of his partnership in a wider world. I often wonder what strange cud such men sit chewing when their working days are over, and the accumulating riches of the mind have eluded them.
There are cliques in Bollywood, and people stick together, but I have always tried to stick to my work. As an industry, Bollywood is very competitive, and I'm very competitive as a person, but I've never been a part of any clique, and I've always worked with all actors and directors, all camps.
That really sets great directors apart from good directors: their ability to make you feel like you matter, even if your part is much smaller. That's one thing I found with most of the great directors I worked with: They all have that skill. Not everyone takes the time.
I'm singularly lucky to have worked with directors who dared me to take risks and be different and I am thankful to the Indian film industry for giving me my primary identity.
Television is a completely different industry now. It's just extraordinary. It's so wonderful, because there's more interesting product. It attracts the best writers and directors. And one thing that's really interesting about it is that it used to be, if you were on a big network show, like it or not, you were a household face and name. And believe it or not, not all actors like that. That's not their goal. They just like being actors. And there are so many actors that are on hit shows that I have never seen, I've never heard.
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