A Quote by Lenny Abrahamson

Cinema at its best can express something of the pure irreducible fact of things. — © Lenny Abrahamson
Cinema at its best can express something of the pure irreducible fact of things.
I know why I make films -cinema is a mode of expression that allows you to express all the nuances of a thing while including its opposites. These are things that can't be quantified mentally; yet they can exist and be juxtaposed. That may seem very contradictory. Cinema allows you to film these contradictions.
At times doc filmmaking feels more rewarding creatively. Because you are creating something out of pure cinema - instead of narrative cinema, where you've got a script and a cast and you build from your foundation, whereas in documentary, you're building out of chaos.
I didn't want to become a pure mathematician, as a matter of fact, my uncle was one, so I knew what the pure mathematician was and I did not want to be a pure - I wanted to do something different.
Making movies is what I'm good at. Cinema is the means through which I can best express myself.
Sometimes you also work with people who don't explain or express to you what they're actually looking for from the shot but you haven't got that problem with this because whatever you're going to do, whether it's good or bad, will get picked up. So, in that way I guess it's pure cinema.
One of the things I love about working with my brother is that there's a commitment there - an unwavering commitment. From our basement in Illinois when I was three years old to Iceland on a frozen glacier with Matthew McConaughey and Matt Damon in spacesuits - there's a commitment to the pure spectacle, the pure cinema of it.
With 'The Conjuring,' I really wanted to create classical cinema-style film-making, pure cinema as it were.
'Napoleon' is pure cinema, and cinema was designed for sharing.
Napoleon is pure cinema, and cinema was designed for sharing.
The things I want to express are so beautiful and pure.
We knew so little about eachother. We lay mostly submerged, like ice floes with our visible social selves projecting only cool and white. Here was a rare sight below the waves, of a man's privacy and turmoil, of his dignity upended by the overpowering necessity of pure fantasy, pure thought, by the irreducible human element - Mind.
American films are the best films. This is a fact. Cinema is - along with Jazz - the great American art form. And cinema in a very real sense created the American identity that has been exported around the world.
I think it's a great pity in the Anglophone world that we conflate cinema verite and Direct Cinema; they're, in fact, ontological opposites. In Direct Cinema, we create a fictional reality with characters and pretend we're not that.
I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between.
I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.
All that is not thought is pure nothingness; since we can think only thoughts, and all the words we use to speak of things can express only thoughts, to say there is something other than thought is therefore an affirmation which can have no meaning.
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