A Quote by Lenny Abrahamson
As with any actor and any collaborator, it's about forming a trusting relationship. And that's not that you have to get him to trust you so you can get him to do what you want. Especially with a little kid, it's about making them feel really safe, and getting to know and not treating them as a puppet to be moved around.
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I've had friends who have come away who've said, "I shouldn't have become such close friends with the director." You always want to get on with the director, but I personally prefer a relationship where you respect them - you get on really well with them, but they're boss, as it were. It's about trusting your director, for better or for worse. They're the one's seeing what's coming out on the monitors, so you have to try and trust what they say.
How often we say about our earthly friends, "I really would like to have a good quiet settled talk with them so that I can really get to know them." And shouldn't we feel the same about our Heavenly Friend, that we may really get to know Him? These thoughts have taught me the importance of the children of God taking time to commune daily with their Father, so that they may get to know His mind and to understand better what His will is.
My relationship with Jesus Christ is the most important thing in my life. So any time I get an opportunity to tell Him that I love Him or given opportunity to shout Him out on national TV, I'm gonna take that opportunity. And so I look at it as a relationship that I have with Him that I want to give Him the honor and glory anytime I have the opportunity.
I think people, if you really want to be happy, you have to find God yourself, and you're going to have to have a personal, one-on-one relationship and not look to get through these traditions or these rituals and all this crazy stuff when you could talk to him right here, right now, anytime, anywhere, any place, from any position. And that's the kind of relationship you want, not a standard.
Usually, what happens with women that aren't comfortable with fighting is they're afraid of getting hurt, or hurting someone. All it usually takes to get them going is to make them feel safe, and make them feel like they look cool while doing it. And once they get a little more comfortable, they're gung ho!
But there's one thing about quitters you have to guard against - they are contagious. If one boy goes, the chances are he'll take somebody with him, and you don't want that. So when they would start acting that way, I used to pack them up and get them out, or embarrass them, or do something to turn them around.
Being an actor, you know what it feels like to be directed, so when the chance comes for you to direct someone else, you know how to approach an actor without scaring them off, without making them clam up, without making them feel insecure, without getting them in their head.
I think directors can be a little insensitive to how vulnerable an actor is, when he's giving a performance. Part of the job of an actor is to invite scrutiny, but with that, the people around them have to nurture that and put them in an environment where they feel safe and they feel like they can risk something.
I felt a gravitational pull to the material so that there's a certain element of acting that's not really necessary. I've really liked this in foreign movies before or I've observed others working with them and I've noticed that there's a method that goes on where the actors try and get the children, like the child actor, to interact with them in a real way. It seems like you're the adult trying to get the kid to fall in love with him.
The audience. They see the name Mel Brooks, they want something really funny. They don't want to be moved; they don't want to be taught any lessons. [...] I get more letters for ?Twelve Chairs ?and ?Life Stinks? than I get from any other movies, because people actually agree with the philosophy, or were moved, or they love the movie.
Sometimes I get so tired of trying to convince him that I love him and shall love him for ever. He pounces on my words like a barrister and twists them. I know he is afraid of that desert which would be around him if our love were to end, but he can't realise that I feel exactly the same. What he says aloud, I say to myself silently and write it here.
Not every woman thinks that their mother is a nice person. I feel like when you really examine a woman's relationship with her mother, any child and their mother, you can really get to know them, because it's such an important relationship in your life and if it's not positive, that's something you definitely carry with you.
My dad doesn't get any of my jokes. He laughs at them, but he doesn't understand them. He's just laughing because people around him are laughing.
It just seemed like I would. I mean, I didn't know him on a daily basis -- far from it. But, in a way, I don't even feel right being here without him. It's so difficult to really believe he's gone. I still talk about him like he's still here, you know. I can't figure it out. It doesn't make any sense.
Like everyone, I was a huge fan of David Boies, and from what I knew about him, I thought he might 'get' me. So I sent him an email. I said I want to practice law but that I didn't want to stop writing and I asked if there was any way I could practice law for him.
What the dead don't know piles up, though we don't notice it at first. They don't know how we're getting along without them, of course, dealing with the hours and days that now accrue so quickly, and, unless they divined this somehow in advance, they don't know that we don't want this inexorable onslaught of breakfasts and phone calls and going to the bank, all this stepping along, because we don't want anything extraneous to get in the way of what we feel about them or the ways we want to hold them in mind.
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