A Quote by Lenny Abrahamson

I know that it's axiomatic in the film industry that you're not supposed to let the novelist develop their own story. Well, first of all, that's kind of up to the novelist - because they don't have to sell it. But also, I don't believe it. It's about trust.
Sigmund Freud was a novelist with a scientific background. He just didn't know he was a novelist. All those damn psychiatrists after him, they didn't know he was a novelist either.
I resist when someone calls me a novelist: it implies some kind of inherent superiority of the novel. I'm not a novelist, I'm a writer.
Charlie Huston, who showran the first season [of Powers], is a novelist, and likes to internalize fiction as a novelist does.
Many novelists say, "I'm not a political novelist" - myself included. That's a standard, even a default position. Whereas that divide between art and politics simply isn't possible in many countries. In Hungary, you couldn't be a fiction writer and then, when asked about politics, put your hands up in the air and say "But I'm not a political novelist." If you're a Chinese novelist, a novelist in a country where censorship is such an issue, how do you claim that politics has nothing to do with your writing? It's in your writing, it's shaping your words.
If a novelist tells you something she knows or thinks, and you believe her, that is not because either of you think she is God, but because she is doing her work - as a novelist.
If I die, I know the news item would be, 'Partner of Ricky Gervais and novelist dies.' That would come first. But I've come to terms with it. As long as they do still add the 'and novelist,' that will be fine.
I want to be a popular novelist who's also serious, or a serious novelist who's also very accessible.
I think that as a director, especially when it comes to writing the script, which I also do, and I'm also the first one to visualize this story, I think contributing to the film industry means I'm able to take the best of a story and translate it well into a movie that can be released in theaters.
I am the luckiest novelist in the world. I was a first-time novelist who wasn't awash in rejection slips, whose manuscript didn't disappear in slush piles. I have had a wonderful time.
I became a novelist because of 'Gone With the Wind,' or more precisely, my mother raised me up to be a 'Southern' novelist, with a strong emphasis on the word 'Southern' because 'Gone With the Wind' set my mother's imagination ablaze when she was a young girl growing up in Atlanta.
Only a great genius like the Victorian novelist Elizabeth Gaskell can be mother, wife and novelist without solitude. I couldn't write until my youngest child went to school, and then I began - the first morning - and I've never stopped.
Naturally a direct comparison of terrorist and novelist is complete nonsense. But there was once a time when the novelist also had some influence on how his contemporaries thought, the way they saw the world, the way they lived.
My political position springs from my being a novelist. In so far as I am concerned, politics and the novel are an indivisible case and I can categorically state that I became politically committed because I am a novelist, not the opposite.
I realized that my identity as a novelist was private. Only I knew how much of a novelist I was!
There's a unique bond of trust between readers and authors that I don't believe exists in any other art form; as a reader, I trust a novelist to give me his or her best effort, however flawed.
I like to think of myself as an unmediated novelist - or perhaps a national novelist.
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