A Quote by Lenny Abrahamson
Hollywood is probably the most active centre of film-making in the world, but it's also a very difficult place in which to find your voice... It was also a far more civilised industry in Ireland.
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I've also worked hard portraying an Ireland which is fast disappearing. Ireland was a very depressed and difficult place in the 1980s, and I've tried to include that in the script. I worked really hard to find the heart of the book.
I think Wonder Woman is a very difficult character to crack. More difficult than Superman, who is also more difficult than Batman. Also, a lot of people in Hollywood believe that it's hard to do a big action movie with a female lead. I happen to disagree with that.
There is superficiality to Hollywood, and yes, it is charming. Of course there is sunshine, but there is also a dark side. It's a difficult place if you don't know people, and if you can't drive, you will find it lonely. You have to create your own bubble.
It's very difficult, I think for most writers, to carve out the time and the kind of imaginative space to do the writing that you really want to do and also to be an active, engaged, compassionate, giving human being in the world, to the people around you and to your broader community.
Rain is also very difficult to film, particularly in Ireland because it's quite fine, so fine that the Irish don't even acknowledge that it exists.
Very early on in this journey, I uniquely found not just an aesthetic, but also a voice. I found the ability to communicate with people, which has turned out for me to be a far more meaningful platform. To talk to them about not just what's on their body, but also on their minds.
It is very, very, very difficult for an American actor who wants a film career to be open about his sexuality. And even more difficult for a woman if she's lesbian. It`s very distressing to me that that should be the case. The film industry is very old fashioned in California.
SpongeBob's voice is really pingy and forward and nasally. The problem is, if you live in the extreme of that for more than 10 minutes, it can be a little grating, and it can be hard on your voice. Also, it gets in the way of the acting to be forcing your voice into this place.
Despite being from Ireland, I've always avoided writing about it, for two reasons. For a very small country, Ireland has produced an astonishing number of literary geniuses, and at some level I probably never felt, having left as a toddler, that I had the right to try and add my voice. That's part of it. But I also didn't want to write something that was the equivalent of the Irish theme pub. You find them all over the world. The idea of producing a novel that might replicate that type of ersatz really set my teeth on edge.
The film industry not only in India but also Hollywood is insular. It's inward-looking.
I have a film called 'A Lonely Place For Dying,' which is the most watched film on the Internet, over 3 million hits, more than any of Hollywood's films.
I love being middle-aged in general. I'm more at peace with myself now. I still have tormented times, but they are few and far between. You don't feel you have to be the centre of your world when you get older. Becoming a mother had been a turning point which stopped me from being the centre of my world.
The self is not only the centre but also the whole circumference which embraces both conscious and unconscious; it is the centre of this totality, just as the ego is the centre of consciousness.
Street circuits mean that we are racing in the centre of roads that people use everyday, which is very cool for drivers, but it also makes it very easy to make a mistake, which adds more excitement for fans.
The most difficult part of writing a book is not devising a plot which will captivate the reader. It's not developing characters the reader will have strong feelings for or against. It is not finding a setting which will take the reader to a place he or she as never been. It is not the research, whether in fiction or non-fiction. The most difficult task facing a writer is to find the voice in which to tell the story.
It is a mistake to confound strangeness with mystery. The most commonplace crime is often the most mysterious because it presents no new or special features from which deductions may be drawn. This murder would have been infinitely more difficult to unravel had the body of the victim been simply found lying in the roadway without any of those outré and sensational accompaniments which have rendered it remarkable. These strange details, far from making the case more difficult, have really had the effect of making it less so.
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