A Quote by Lenny Abrahamson
The thing about America - it's different everywhere, but visually, it's amazing to shoot in the desert in the New Mexico light. It's really hard to shoot in that desert and make anything look not amazing.
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The great thing about not having a script is there's nothing you have to shoot that day. When you start filming, you can shoot anything you want. There's no pressure to shoot anything. Whatever interests you that day is what you're shooting. That's a big liberation that makes it more enjoyable and more relaxed. I think if you have that kind of framework it can make it a much more satisfying thing to work on and to watch as well.
Over the summit, I saw the so-called Mono desert lying dreamily silent in the thick, purple light -- a desert of heavy sun-glare beheld from a desert of ice-burnished granite.
If you can survive in the desert, you survive anywhere. I know more than anything life in desert. You can tell by looking at the dirt how long ago it rained, how hard it rained, how much water came through. You can by looking at a plant, a tree, from an animal's look. I can read the desert like I read my hand.
Although I look really good holding a gun, I can't shoot. I can't shoot anything. I'm the worst shot.
I grew up in Arizona. I love it. I'm a part of the desert. I feel like, really, I'm from the Sonoran Desert, which is - extends to both sides of the border. I'm really from that part of Mexico, also. And I hate that there's a fence, you know, running through it.
Beauty is everywhere and it comes in all different forms. Many times I don't find a size zero girl amazing, I find her really shockingly thin or small, and I think that beauty comes in all different forms. Beauty is about how you feel. There are plenty of people who are amazing to look at who are super beautiful, and then there are plenty of people who are easy to look at who are not beautiful at all, they open their mouth or they have an attitude or they are cruel, and they look hideous suddenly.
I always thought that people who live in the desert are a little crazy. It could be that the desert attracts that kind of person, or that after living there, you become that. It doesn't make much difference. But now I've done my 40 years in the desert.
I didn't know what it was going to look like or how anything was going to turn out, but the production on 'Teen Wolf' is so amazing. The way that they shoot it, edit it, and put it out there, it's really so exciting. I trust the team so much. They do such a good job.
Those who want to be serious photographers, you're really going to have to edit your work. You're going to have to understand what you're doing. You're going to have to not just shoot, shoot, shoot. To stop and look at your work is the most important thing you can do.
Once I'm in the editing room, forget about what I intended to shoot. I take a cold, hard look at what I really did shoot, and then I edit that because, if you try to edit what you intended and you missed somewhere, that will show up.
When you're working with a script and you have three pages for that day, you have to shoot that. It can become sort of like a prison, because by the time you've shot what you need to shoot, you don't really have time to think or shoot anything else.
I can't imagine David Lean justifying why he went to the desert to shoot 'Lawrence of Arabia.'
The only birds I know about are the duck and the dove and the quail, birds that you shoot. You're not really supposed to shoot cardinals. I don't know if I'd shoot this bird. It looks pretty mean. This bird might pull a gun out and shoot right back at you.
I'm trained to look for certain things... I shoot, I shoot, I shoot, and then I go find it in the ether.
In September 1942 the U.S. government purchased 58,575 acres of wilderness in eastern Tennessee. Soon there was a town, Oak Ridge, and amazing scientific facilities. Thirty-four months after the purchase, an atomic blast lit the New Mexico desert. After 43 months in Iraq, U.S. forces still struggle to cope with improvised explosive devices.
But mayn't desertion be a brave thing? A fine thing? To desert a thing we've gone beyond - to have the courage to desert it and walk right off from the dead thing to the live thing - ?
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