A Quote by Leos Carax
When I was 16, I felt very relieved to discover cinema. It was like an island where I could see life and death from another perspective. Every young person should be interested in that island. It's a beautiful place.
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I am very attracted by the mysterious landscape of Easter Island. Not only because it is a piece of land that is further away from another, but also because of the beautiful statues of Moai that are there. To do a beautiful walk there, I would have to involve the Moai, and the Rapa Nui people who live on the island.
My childhood dream was to study mechanical engineering. After reading 'The Mysterious Island' - which I read 25 times as a boy - I thought that was the best thing a person could do. The engineer in the book knows mechanics and physics, and he creates a whole way of life on the island out of nothing. I wanted to be like that.
As a person of color, I was trained from very early on to see 'Leave It to Beaver,' 'Gilligan's Island,' or 'Hamlet' and look beyond the specifics of it - whether it be silly white people on an island or a family living in Nowheres or a Danish person - to leap past the specifics and find the human truths that have to do with me.
Life is an island. People come out of the sea, cross the island, and return to the sea. But this short life is long and beautiful. In getting to know nature man exalts the wonder and beauty of life.
People who are visiting Long Island find it's very beautiful, and they are quick to try Long Island foods, wines and other products.
When I was 16 I discovered this island called cinema and I thought: 'Oh how wonderful, I'm ready.
When I was 16, I discovered this island called cinema and I thought: 'Oh, how wonderful; I'm ready.'
I live on a lonely culinary island, built on (very thin) bedrock consisting of things I know, or believe, my family will eat. It is a small island. Fortunately, nachos are on that island with me, and nothing gets my family fired up like nachos for lunch.
When the ship is sinking and you're forced to choose sides, the new solution is to jump from island to island to island. You don't have to pick.
"You are so close." "To whom? Margravine, not even to himself. This place, this island: all his life he's done nothing but hop from island to island. Is that a reason? Does there have to be a reason? Shall he tell you: he works for no Whitehall, non conceivable unless, ha, ha, the network of white halls in his own brain: these featureless corridors he keeps swept and correct for occasional visiting agents."
Off they go on this sort of camping trip to Iwo Jima, where they're taken around and shown where all the battles took place. It's very moving. Disgusting little island, though. Still an active volcano. Stinks of sulfur. There are dead Japanese everywhere under that island. It's icky. But I knew I would never have another chance to go, so I took the job.
Harbour Island in the Bahamas is a wonderful little island with beautiful beaches, a great restaurant culture and friendly, welcoming atmosphere.
Sri Lanka is an island that everyone loves at some level inside themselves. A very special island that travellers, from Sinbad to Marco Polo, dreamed about. A place where the contours of the land itself forms a kind of sinewy poetry.
Giordino...simply sighed in resignation. "Who else," he asked no one in particular, "but Dirk Pitt could tramp off into a blizzard on an uninhabited backwater island in the Antarctic and discover a beautiful girl?
The creation of the island, or the impression of the island, as it changes in the mind of the character also came in to play... there was another very important collaborator, Rob Legato, on special visual effects. And then ultimately there's Thelma Schoonmaker, who keeps me focused during the editing of the picture.
I wrote a very bad play about Prince William when I was 23 in which he went off to the island of Iona to discover himself. It was very long, and audiences should probably be very pleased that the computer it was on blew up.
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