A Quote by Lesli Linka Glatter
Every creator sets up their world differently. That's what's so amazing about someone like Aaron Sorkin and his writing.
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I had been used to improvising and even in the audition I was feeling free to rearrange Aaron Sorkin words a little bit, as lovely as they were. I didn't find out until after I got the part how furious Aaron was at me for doing that. They said, "He was livid. He did everything in his power not to jump down your throat!" But I came to realise that Aaron was writing in metre and the rhythm of the language is very important.
I read an interview with Aaron Sorkin and he said he plays every part when he's writing. I thought, "Oh, I do that too! I'm doing okay."
Aaron Sorkin very sticky about using precise language. It's in his contract: you have to use what he writes!
Aaron Sorkin uses a lot of the same people again and again - the people he likes. I think if there's ever a part for me, he would consider me for it. I hope so. Sometimes familiarity breeds contempt, other times it helps you. It's just amazing to work with his scripts. There's never any fat in them. It's all perfect, and there's such a rhythm to it. The musicality of his writing - it's so specific and unique to him, and such a joy to play as an actor, because there's no sentimentality.
I'd love to work with Aaron Sorkin on something. Just the way he writes, he has no fear in writing people that are fiercely intelligent, and I love that.
I don't claim to be some Aaron Sorkin expert, but it is like a Camelot. His shows are a place where people are trying to reach their highest potential. And I think we miss that sometimes. If I got a chance to do 'The Newsroom,' I would have done it yesterday.
My joke about Aaron Sorkin is that The West Wing was a great show about democracy, run by Kim Jong-Il!
I think Aaron Sorkin is like Shakespeare. When you go through it, there is a rhythm and clues all over the place of how it should be played.
All of Aaron Sorkin's characters are so smart.
Coming up in the School of Aaron Sorkin Delivery of Fast-Paced Dialogue and Hyper-Articulateness prepared me well for Shondaland, where there are many of the same factors at play.
Aaron Sorkin was completely unable to understand the actual psychology of Mark or of Facebook. He can't conceive of a world where social status or getting laid or, for that matter, doing drugs, is not the most important thing.
I don't think Aaron Sorkin can write a character who isn't really funny.
I am lucky enough to have Aaron Sorkin write what I have to say.
Both of the Quaid brothers, Randy and Dennis, were in my class, and Tommy Schlamme, who produced and directed The West Wing with Aaron Sorkin, among many others. Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
I understood the importance of doing an Aaron Sorkin film. He's a political filmmaker.
'West Wing' was huge. Like 'Hamilton,' it pulls back the curtain on how decision-making happens at the highest level, or at least how you hope it would be. The amount of information Aaron Sorkin packs into a scene gave me this courage to trust the audience to keep up.
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