A Quote by Lexi Alexander
I don't believe that less fortunate people should have to wait until a movie is released on public TV for free, while richer people get to see it months in advance.
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The public has yet to see TV as TV. Broadcasters have no awareness of its potential. The movie people are just beginning to get a grasp on film.
The letters, the food - I had no idea I wouldn't see a shrimp for three years. You don't look at those little things you take for granted so easy, until you get sat down, get locked up, or get into a position were you see other people who are less fortunate than you - that don't have anybody.
With TV, you film something and have to wait six months to scrawl through Twitter to see what people think.
While economic development [in Egypt] made a few people rich, it left many more worse off. As people felt less and less free, they also felt less and less provided for.
Sometimes being away from TV for four months or six months or whatever it's been can really help you. People miss you and are happy to see you back. On the other hand, people can forget about you.
Sometimes people can see a movie of mine and not know until the credits roll that I wrote the score. That makes me feel good, that I can get out of that box every once in a while.
They talked about me as if I were Mother Teresa, and that every time I get a paycheck I go and send it to poor people and that we spend every free moment helping out people less fortunate. That was an enormous exaggeration.
I love TV. I know all the theme songs from the shows I watch. I'm not one of those who'd rather be a movie star. I prefer TV because of the rushed way of working-on a movie set, you sit around and wait and wait to do a scene because they're adjusting the lights.
Culture has to be constantly on the vanguard, too. It should be educating people, as it does in Latin America: thousands of great theatres, art cinemas, millions of free books distributed by the governments, public poetry readings, free public lectures, and all sorts of bookstores are open until early mornings, exhibitions reacting to the needs and sorrows of society, concerts of engaged music.
That information, those 6,000 pages, should be released to the public. It's our right as U.S. citizens to know what our government has done in our name just as I think that these memos about the U.S. of drones should be released to the public.
The humanitarian aid system is built on a concept that when disaster strikes, outside agencies provide a temporary helping hand until people can take back control of their own lives. But across the world, we see millions of people caught in semi-permanent crises. As each year goes by, they are less and less likely to break free.
The big difference I think between tv and stage is definitely the immediate buzz that you get. And that's not just as an actor, as an audience member you're getting the chance to have this kind of two-way process where the actors and the audience are experiencing the same thing. With tv you often have to wait months and months down the line to actually get the pay-off. Whereas with theatre it's a very immediate thing.
The repeated requests for us to 'wait,' and 'wait,' and 'wait' while our people are suffering, while our people are besieged, while our land is being colonized, and while the two-state solution is being destroyed and the prospects for peace are evaporating, must understand that such requests are not viable under these circumstances and are unsustainable.
The belief that public health measures are not intended for people like us is widely held by many people like me. Public health, we assume, is for people with less - less education, less-healthy habits, less access to quality health care, less time and money.
I never try to guess what anyone else will take from a movie. Every movie is such a different experience for each and every person. I don't like it when people try telling people what they should take from a movie. You should go see it with fresh eyes and see for themselves.
Artists should be free to create what we want. I believe there's a special value in work that is a reflection of oneself as opposed to interpretation. When I see a film or a TV show about black people not written by someone who's black, it's an interpretation of that life.
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