A Quote by Lexi Alexander
I think in industries riddled with bias, you tend to hire women only if their previous work is very masculine, which is hilarious given that this is not how male directors are chosen.
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I think that there is a bias in the current literary climate, which is not only very Western but very male.
Something we do know is that review coverage does go to male authors more than women authors. That's a fact. I think it's one of those examples of unconscious bias: If you hire a lot of male journalists, they're more likely to pick up the latest Ian McEwan novel than the latest A.S. Byatt novel.
I think I happened to work with sort of a bunch of slightly difficult male directors when I was a kid. I've since worked with lots of male directors that I love, so I no longer see the distinction gender-wise.
Women are penalized both for deviating from the masculine norm and for appearing to be masculine. When women try to establish their competence, they are scrutinized for evidence that they lack masculine (instrumental) characteristics as well as for signs that they no longer possess female (expressive) ones. They are taken to fail, in other words, both as a male and as a female.
Behind the cameras, there's a different problem, which I think is not unconscious gender bias. It's probably categorized more as conscious gender bias. Because everybody's known the numbers for decades. Nobody's stunned to hear there are very few female directors, only 4 or 7 percent. Everybody knows, but it doesn't change anything. It doesn't make people say, "Wow! We should change that." Nothing happens. It's utterly stagnant.
Ultimately, mentorship plays such a big role in breaking directors that successful male directors tend to reach the helping hand to guys who remind them of themselves. We need more women directors so they can reach out to girls who remind them of themselves.
We're long past having to defend or explain why women should be on boards, given all the data that shows how companies with female as well as male directors perform better. It's unfortunate when companies with a large percentage of women constituents don't reflect that in their boardrooms.
People have to fix whatever bias they have, and I see this bias consistently, all the time, towards women directors. They're just not being trusted with action.
I like female directors that gravitate toward masculine things. I think the danger of a male director is the over-fetishization of the masculinity.
No [I'm not a feminist] because I love men, and I think the idea of 'raise women to power, take the men away from the power' is never going to work out because you need balance. With myself, I'm very in touch with my masculine side. And I'm 50 percent feminine and 50 percent masculine, same as I think a lot of us are. And I think that is important to note. And also I think that if men went down and women rose to power, that wouldn't work either. We have to have a fine balance.
We cannot study creativeness in an ultimate sense until we realize that practically all the definitions that we have been using of creativeness are essentially male or masculine definitions of male or masculine products. We've left out of consideration almost entirely the creativeness of women.
I'm just hoping that as I get older, and as more and more movies get made by female directors, what we start to see is how, in the same way good male directors get a shot at creating interesting male and female characters, women do as well.
I think that women can tend to look so feminine so easily. So it's interesting to see how we can look masculine and strong, too.
I have probably four or five male friends who have a real strong masculine side but some degree of a feminine side, too. They're pretty rare, whereas I think women with a masculine side are much less rare.
For women, it is difficult because things are very male testosterone driven. Box office numbers are important and male stars tend to get them.
Who has not seen how women bully women? What tortures have men to endure compared to those daily repeated shafts of scorn and cruelty with which poor women are riddled by the tyrants of their sex?
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